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2021
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vol. 23
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issue 38
143-158
EN
The 1980’s saw the emergence of New Historicist criticism, particularly through Stephen Greenblatt’s work. Its legacy remains influential, particularly on Shakespearean Studies. I wish to outline New Historicist methodological insights, comment on some of its criticisms and provide analytical comments on the changing approach to historical plays, asking “What has New Historicism brought into our understanding of historical plays and the way(s) of designing kingly power?” Examining Shakespeare’s second tetralogy, I will review Greenblatt’s contention that these plays largely focus on kingly power and its relationship to “subversion” and “containment”. I intend to focus on aspects of the plays that I believe have not received enough attention through New Historicism; particularly the design of the kingly figures.
Mäetagused
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2017
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vol. 66
115-138
EN
The article gives an overview of riddles written down in their diversity throughout times in the parishes of Virumaa. The author analyses both the old (classical) and newer layer, including changes in the function and usage context as well as the usership. In addition to the dynamics of form and content layer of riddle texts, attention is parallelly paid to the social functions of the genre, which reflect in the small number of records of usage contexts found in archival materials. Records from Virumaa confirm a more general tendency that the genre which in the peasant society had, besides entertaining functions, also magic and religious importance, today focuses on entertainment.
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