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EN
In the late 18th and early 19th century a particular conception of the journal emerged within early Romantic German circles as a universal encyclopedia bringing together both art and sciences. This study follows the influence of this idea and its variants within the Central European and Czech context, where it gained ground, particularly in the case of Časopis českého Musea and Krok. These Czech periodicals had the basic characteristics of this kind of journal: their establishment is understood to be a culturally and nationally representative act, and their production is characterized by typical tension between the artistic and scientific elements. Above all they became important distributors of various forms of Romantic discourse.
CS
Na přelomu 18. a 19. století byl v okruhu německé rané romantiky rozvinut specifický koncept časopisu jako univerzální encyklopedie slučující oblast umění a vědy. Studie sleduje působnost tohoto konceptu a jeho variant ve středoevropském a českém kontextu, kde se prosazuje zejména v případě Časopisu českého Musea a Kroku. Tato česká periodika splňují základní charakteristiky daného typu časopisu: jejich založení je chápáno jako kulturně a národně reprezentativní akt, jejich produkce se vyznačuje typickým napětím mezi uměleckou a vědeckou složkou a především se stávají podstatnými distributory různých podob romantického diskurzu.
EN
The study is divided into three parts. The first discusses the common features of both poets: their lartpourlartism and opposition to the utilitarian conceptions of art. The second part focuses on a romantic iconology (sacrifice of the poet, its figures and symbols) used by Ch. Baudelaire and T. Gautier to represent a role of poetry as well as tragic situations of the contemporary subjects. The last part analyses some transformations in the Baudelaire’s poetics through the mediation of the concepts of modernity, everyday, singularity and reversibility.
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