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1
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K pojmu moderátor : lingvistické a mediálně-historické aspekty

100%
Adamec M.
Naše řeč (Our Speech)
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2019
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vol. 102
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issue 5
306-319
EN
This paper deals with selected linguistic and media-historical aspects of the term host in the sense of the professional title, which came into use in the Czech, respectively Czechoslovak media space, in the 1970s. The author first analyzes the developmental issues related to the introduction and stabilization of this term, then deals with the issue of its interpretation, which is currently not uniform. Therefore the author also offers his own definition, and in conclusion, to achieve complexity, compares the host profession with the other professions similar to hosting.
2
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Rozhlasový režisér Josef Henke

100%
Bojda T.
Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)
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2021
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vol. 24
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issue 1
216-239
EN
This text aims to introduce the directorial work of the prominent Czech radio director Josef Henke. Henke's career, discussed here, spanned almost fifty years: the essay defines the fundamental creative characteristics, crucial inspirations and especially the quintessential methods of his directorial work. Henke's directorial style is documented by analyses of case studies and detailed readings of selected radio productions. The continuity and aesthetics of Henke's directorial work for radio is contextualized within a historical frame, which pays particular attention to the circumstances whereby Henke was forbidden to work in the radio industry in the 1970s and 1980s.
CS
Cílem textu je představit rozhlasové režijní dílo předního českého režiséra Josefa Henkeho. Henkeho kariéra je pojednána v kompletním oblouku necelých padesáti let, vymezeny jsou základní tvůrčí linie jeho tvorby, klíčová inspirační východiska a především typické postupy jeho režijní práce. Režijní styl dokládají jednotlivé mikroanalýzy i podrobnější rozbory vybraných inscenací, zkoumána je také inscenační kontinuita Henkeho režií. Tu práce akcentuje v historickém kontextu, reflektuje pak především okolnosti Henkeho zákazu rozhlasové práce v 70. a 80. letech minulého století.
3
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České rozhlasové adaptace děl Karla Čapka

100%
Bojda T.
Česká literatura (Czech Literature)
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2023
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vol. 71
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issue 3
308-325
EN
This study analyses the current production tradition of presenting Karel Čapek’s literary works in the Czechoslovak radio context. It sets out the ongoing interest in Čapek’s work on the radio, reflects key radio adaptations of Čapek’s dramas and novels in individual micro-analyses, and attempts to establish the basic production mechanisms and to identify the opportunities and pitfalls involved in adapting Čapek’s works. It also highlights Čapek’s work as one of the most inspiring subject areas of auditory/verbal creative work, and points out various dramaturgical and directorial methods of reproducing the author’s poetics on the radio. The article also includes a chronological listing of radio productions of Čapek’s work.
4
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Srovnávací frekvenční analýza exilových projevů Klementa Gottwalda a Edvarda Beneše z let 1939-1945

80%
Davidová Glogarová J., Kubát M.
Slovo a slovesnost: časopis pro otázky teorie a kultury jazyka (Slovo a slovesnost: A journal for the theory of language and language cultivation)
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2020
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vol. 81
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issue 1
65-77
EN
The aim of this study is to compare the speeches of two important Czechoslovak politicians – Edvard Beneš and Klement Gottwald. Thematic words (TW) and keywords (KW) of their speeches broadcasted on radio during World War II (1939–1945) are analysed. Although these methods are related, each of them provides different perspectives on the issue. Thematic words are based on the frequency distribution of the analysed text itself, whereas keywords are generated through the comparison of two corpora (namely Beneš versus Gottwald). Since Czech is a highly inflective language, all texts are lemmatized. Beneš led the Czechoslovak government-in-exile in London from 1939 to 1945. Gottwald, as the leader of the Communist Party, emigrated to Moscow in 1938. The results show that their differing political orientations, enhanced by their time in exile, influenced the language of their speeches. Beneš emphasized democratic principles, while Gottwald promoted communist revolutionary ideas. Gottwald’s speeches were also considerably more offensive and direct. The results also show that both politicians emphasized the importance of the Soviet Union in World War II, whereas only Beneš mentioned the United Kingdom.
5
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Velká eliotovská báseň : k Mluvícímu pásmu Milady Součkové

80%
Říhová Z.
Česká literatura (Czech Literature)
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2017
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vol. 65
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issue 2
213-234
EN
The core of this article is a long poem Mluvící pásmo [Talking Zone], published in 1939 by Czech Modernist poet Milada Součková (1899-1983). Through Součková’s writing, the abyss between Czech avant-garde and Czech Modernism with its references to English modernism is revealed here. This article offers a contextualization of the genre of zone within Czech Modernism while analysing Součková’s large poem as a specific form of English modernism. Through a detailed examination of Součková’s poem Talking Zone and Eliot’s The Waste Land this article reveals the parallels between her writings and the writings of the leading modernists. The first section examines the influence on the poem of radio, both in terms of its thematic register and its form. It then goes on to analyse the dominant thematic discourses of the poem which are also key themes of the genre of zone in the 1930s in the Czech context (these are defined in the article as museum, memory, encyclopaedia and apocalypse). An examination of Talking Zone reveals the process of exhaustion of the genre of zone as a leading genre of the Czech avant-garde poetry and the exhaustion of the avant-garde projects of the new world. The archaeology of modernism (of an era), as conveyed in Součková’s writing is determined by space (Europe), person (writer) and action (modernism). In Součková’s Talking Zone each of these three elements is depicted as extinct.
6
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Archiv Českého rozhlasu a jeho využití pro onomastiku

71%
Lábus V.
Acta onomastica
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2016
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vol. 56
140-146
EN
The article introduces historical audio archive of the Czech Radio as means for linguistic and onomastic surveys. The archive has been made accessible and searchable through a software platform that was developed for the automatic transcription of a spoken text. The archive enables to analyze various features of both common nouns and proper names, such as frequency, pronunciation, grammatical characteristics, etc. The author focuses on the most frequent proper names in the year 1977, and compares them with relevant data from the corpora Totalita. Besides that the article also deals with relations between official multi-word proper names, shortened versions, and their initial abbreviations.
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