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Rozhlasový režisér Josef Henke

100%

Bojda T.

Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)

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2021

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vol. 24

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issue 1

216-239

EN

This text aims to introduce the directorial work of the prominent Czech radio director Josef Henke. Henke's career, discussed here, spanned almost fifty years: the essay defines the fundamental creative characteristics, crucial inspirations and especially the quintessential methods of his directorial work. Henke's directorial style is documented by analyses of case studies and detailed readings of selected radio productions. The continuity and aesthetics of Henke's directorial work for radio is contextualized within a historical frame, which pays particular attention to the circumstances whereby Henke was forbidden to work in the radio industry in the 1970s and 1980s.

CS

Cílem textu je představit rozhlasové režijní dílo předního českého režiséra Josefa Henkeho. Henkeho kariéra je pojednána v kompletním oblouku necelých padesáti let, vymezeny jsou základní tvůrčí linie jeho tvorby, klíčová inspirační východiska a především typické postupy jeho režijní práce. Režijní styl dokládají jednotlivé mikroanalýzy i podrobnější rozbory vybraných inscenací, zkoumána je také inscenační kontinuita Henkeho režií. Tu práce akcentuje v historickém kontextu, reflektuje pak především okolnosti Henkeho zákazu rozhlasové práce v 70. a 80. letech minulého století.

2

Rozhlasová hra a/nebo rozhlasová inscenace?: poznámky k teorii "slovesné” rozhlasové tvorby

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Jungmannová L.

Česká literatura (Czech Literature)

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2021

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vol. 69

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issue 4

453-476

EN

The objective of this study is to theoretically define and distinguish between a radio play and radio production. Hence the first part of the paper characterizes the individual components of a radio production (speech, music, sound and silence), its performativity and its basic building block — the acoustic situation arising out of the interaction between the acting and the sound production. In the next section the radio production is considered as a sound composition (by theoretical passages on montage and time and space phenomena) and finally the historical roots of this radio work are also referred to. The second half of the study focuses on the radio play, which it endeavours to analyse primarily on the basis of its relationship to the theatre play. The study then goes on to examine both the structural elements and the types of radio plays and the secondary processes involved in the creation of this literary work: adaptation and dramatization.

3

České rozhlasové adaptace děl Karla Čapka

100%

Bojda T.

Česká literatura (Czech Literature)

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2023

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vol. 71

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issue 3

308-325

EN

This study analyses the current production tradition of presenting Karel Čapek’s literary works in the Czechoslovak radio context. It sets out the ongoing interest in Čapek’s work on the radio, reflects key radio adaptations of Čapek’s dramas and novels in individual micro-analyses, and attempts to establish the basic production mechanisms and to identify the opportunities and pitfalls involved in adapting Čapek’s works. It also highlights Čapek’s work as one of the most inspiring subject areas of auditory/verbal creative work, and points out various dramaturgical and directorial methods of reproducing the author’s poetics on the radio. The article also includes a chronological listing of radio productions of Čapek’s work.

Refine search results

2 Česká literatura (Czech Literature)

1 Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)

1 2023

2 2021

2 Bojda T.

1 Jungmannová L.

Rozhlasový režisér Josef Henke

Rozhlasová hra a/nebo rozhlasová inscenace?: poznámky k teorii "slovesné” rozhlasové tvorby

České rozhlasové adaptace děl Karla Čapka