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Gesto a nezáměrnost „Sester Vaneových“ (1951)

100%
Müller R.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2020
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issue 61
94-105
EN
This article presents an interpretation of Vladimir Nabokov’s story “The Vane Sisters” in the light of Jan Mukařovský’s concepts of semantic gesture and unintentionality (nezáměrnost). At the same time, medial implications of Nabokov’s text are recognized, forcing a certain modification of the aforementioned concepts, taking into account the phenomenon of medial self-reflectivity.
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Poetika a estetika českého strukturalismu v pojetí Herty Schmidové

80%
Jankovič M.
Česká literatura (Czech Literature)
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2012
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vol. 60
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issue 5
737-754
EN
3_The final study defends references to the specific nature of the work of art, as found e.g. in Czech structuralism, against levelling tendencies in present-day culturology. Works of art and their interpretation may effectively contend with conventional stereotypes that impoverish man and his culture.
3
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Mezi záměrností a afektem: O teorii vnímání Jana Mukařovského

80%
Meerzon Y.
Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)
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2016
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vol. 19
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issue 1
37-53
EN
Erin Hurley and Sara Warner in their insightful study “Affect/Performance/Politics” (2012) remind us that humanities and social sciences today experience a new sweep of theoretical inquiry, focusing on studying affect as a leading mechanism of our cognition and communication, as well as making and receiving art products. This paper takes this theoretical proposition further. I argue that although the theory of affect is still struggling to find its own methodology of textual and performance analysis, when it is paired with semiotic approaches in theatre scholarship, it can offer interesting insights on how theatrical performance capitalizes on its built-in structural or artistic intentionality – Jan Mukařovský’s semantic gesture – to evoke the audience’s emotional responses.
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