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Artystyczne założenia tradycyjnego teatru koreańskiego p’ansori w ujęciu Sin Chae-hyo (1812-1884)

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Rynarzewska E.

Przegląd Orientalistyczny

2019

issue 3-4(271-272)

275-292

The p’ansori performance represents one of the three main genres of traditional Korean theatre. It was presented by professional singers (kwangdae), who told an epic story taken from shamanic songs, folk stories and classic literature. P’ansori began to develop at the end of the 17th century and over the next two centuries was passed down in the oral tradition. Artistic practice was undermined in the second half of the 19th century by Sin Chae-hyo (1812-1884), who wrote down a few p’ansori and was the first to formulate its theoretical principles. He depicted four basic artistic components of p’ansori, including “acting talent” (nŏ’rŭmsae), “vocal talent” (tŭg’ŭm), “narrative talent” (sasŏl ch’ire) and “presence” (inmul ch’ire). Considered as key components, they were presented in the poetic work by Sin Chae-hyo, entitled Kwangdae ka (Song of the actor, around 1875). The main purpose of this article is to identify and define the components that constitute the artistic essence of p’ansori theatre.

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1 Przegląd Orientalistyczny

1 2020

1 Rynarzewska E.

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Artystyczne założenia tradycyjnego teatru koreańskiego p’ansori w ujęciu Sin Chae-hyo (1812-1884)