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In the Benedictine rule, a monastic scapular was initially used as an apron protecting a habit during physical work. With the establishment of the Cistercians, it became an integral part of religious clothing. A scapular was adopted, among others, by the Benedictine monks and nuns, the Brothers Hospitallers of St John of God, the Dominican monks and nuns, the Camaldolese monks and nuns, the Capuchin Tertiaries, the Carmelite monks, the Carthusians, the Mercedarians, the Pauline Fathers, the Brothers Comforters of Gethsemane, the Congregation of the Sacred Hearts of Jesus and Mary, the Trinitarians, the Servite Order and the Albertine nuns, the Augustinian nuns, the Bernardine nuns, the Bridgettines, some Franciscan nuns, the Capuchin nuns, the Discalded Carmelite nuns, the Poor Clares, the Congregation of the Sisters of the Blessed Virgin Mary of Loreto, the Congregation of Sisters Shepherdesses of Divine Providence, The Piarist Sisters, the Congregation of the Nursing Sisters of Our Lady of Sorrows, the Congregation of the Handmaids of the Sacred Heart of Jesus.
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One of the many representations of the Virgin Mary in the Carmelite art is Our Lady of the Scapular. It is a specific artistic image connected with the liturgy of the altar, which is also the centre around which the life of the brotherhood revolves. The cult of Our Lady of the Scapular, promoted by the Carmelites, is one of the oldest forms of Marian devotion. Over the centuries, it has achieved great popularity in all social circles. The images of Our Lady of the Scapular are represented in either Mary’s bust or her entire figure, sitting or standing, usually with the Child in her arms or on her lap, holding a sceptre in one hand, in the second a scapular or a scapular in both hands; sometimes Infant Jesus holds a scapular. Scapular images also alluded to the Immaculate Conception. If the attribute of the scapular was not painted originally, it was added later or two pieces of cloth were attached to the image (sculptures). When miraculous paintings were covered with a silver or gold dress, scapulars also appeared on a flap piece of metal. The accepted representations of Our Lady of the Scapular were used as ornaments for feretra and banners connected with brotherhoods’ celebrations. Similar images can be found in books, icons and sculptures devoted to the practice of the brotherhood of the scapular.
EN
Scapular brotherhoods are religious associations, whose members are obliged to wear a “small” scapular of a specific style and colour, expressing the relationship with the spirituality of the religious order, with which the brotherhood is linked. The origins of scapular brotherhoods date back to the 13th century, and the first ones were established in Florence, Bologna, Venice and other Italian towns. Scapular brotherhoods include: the Brotherhood of the Holy Trinity, the Brotherhood of Our Lady of Mount Carmel, the Brotherhood of Our Lady of Sorrows, the Brotherhood of the Immaculate Conception, the Brotherhood of Our Lady of Good Counsel, the Brotherhood of St. Cross and Bitter Passion of the Lord Jesus, the Brotherhood of Our Lady of Health of the Sick, the Brotherhood of Our Lady of Charity, the Brotherhood of the Precious Blood of Our Lord Jesus Christ, the Brotherhood of St. Benedict and the Brotherhood of St. Michael the Archangel.
PL
W 2018 roku przy kościele parafialnym pw. Wniebowzięcia NMP w Lutomiersku prowadzone były sondażowe badania archeologiczne. W ich wyniku w jednym z grobów natrafiono na brązową lub mosiężną ikonkę podróżną powstałą w wytwórni w Guślicach (Rosja) w XIX lub na początku XX w. Lutomierski egzemplarz ikony jest tryptykiem, składającym się na podobieństwo ołtarza. We wnętrzu umieszczona jest postać Matki Boskiej Iwerskiej, której pierwowzór związany jest z monastyrem Iwiron na Górze Athos w Grecji. Przedmiot dodatkowo znajdował się w woreczku jedwabnym. Znalezisko to poświadcza, że na lutomierskim cmentarzu przykościelnym być może chowano także wyznawców prawosławia.
EN
During archaeological works carried out at the cemetery of the parish church dedicated to the Blessed Virgin Mary in Lutomiersk, a bronze or brass traveller’s icon was found in one of the graves. It was made in Guślice (Russia) in the 19th or early 20th century. The icon has the form of triptych, folding like an altar. Inside is the figure of the Holy Virgin, whose prototype is connected with the Iwiron monastery on Mount Athos in Greece. The icon was inside a silk pouch. This find indicates that members of the Orthodox Church were buried at Lutomiersk church cemetery.
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The creation of a small scapular was the result of the process of forming brotherhoods and third orders. As a consequence, lay people have been able to wear a scapular as an outward sign referring to religious clothing, which became a symbol of the garment of salvation and divine protection. A small scapular consists of two square or rectangular pieces of woollen cloth (other forms are not allowed). One piece of the scapular should, hung on the back, the other should fall on the chest, they should be joined by ribbons in such a way that you can put them on over your head. The Catholic Church adopted 23 types of small scapulars and scapular medals worn by the lay faithful.
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