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Poetic treaties frequently appear in the later writings of Urszula Kozioł. Three volumes of poems: Supliki (2005), Przelotem (2007) and Horrendeum (2010) provide examples of individual uses of this canonical form, and prove that the author was “growing up” to use it. The poet creates genre varieties of a poetic treaty through which she expresses her philosophical and ontological as well as existential, architextual and poetological reflections.
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