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EN
The paper addresses the problem of overshoot involved in singing accent stylisation. Selected phonetic features indexed as “American” and “Cockney” are analysed in the singing and speaking styles of a British vocalist, Adele. Overshoot, understood as a greater frequency or an exaggerated quality of a given feature, is characteristic of staged performance (Bell and Gibson 2011; Coupland 2007). PRAAT is used to establish the acoustic properties (F1 and F2) of the BATH and TRAP vowels, as well as the presence or absence of the BATH-TRAP split. The results show that Americanisation regarding the BATH-TRAP split in singing is present and the Americanised vowel tokens are “overshot”, having higher F2 frequency compared with the regular British TRAP vowel.
EN
The paper investigates – within the framework of usage-based phonology – the significance of lexical frequency effects in singing accent Americanisation. The accent of Joe Elliott of a British band, Def Leppard is analysed with regard to LOT unrounding and PRICE monophthongisation. Both auditory and acoustic methods are employed; PRAAT is used to provide acoustic verification of the auditory analysis whenever isolated vocal tracks are available. The statistical significance of the obtained results is verified by means of a chi-square test. In both analysed cases the percentage of frequent words undergoing the change is higher compared with infrequent ones and in the case of PRICE monphthongisation the result is statistically significant, which suggests that word frequency may affect singing style variation.
EN
The paper investigates – within the framework of usage-based phonology – the significance of lexical frequency effects in singing accent Americanisation. The accent of Joe Elliott of a British band, Def Leppard is analysed with regard to LOT unrounding and PRICE monophthongisation. Both auditory and acoustic methods are employed; PRAAT is used to provide acoustic verification of the auditory analysis whenever isolated vocal tracks are available. The statistical significance of the obtained results is verified by means of a chisquare test. In both analysed cases the percentage of frequent words undergoing the change is higher compared with infrequent ones and in the case of PRICE monphthongisation the result is statistically significant, which suggests that word frequency may affect singing style variation.
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