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Pomlky“ románového vypravěče a „zapovězená“ řeč lidového vypravěče v románech Milana Kundery

100%
Galmiche X.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2018
|
vol. 58
115-122
EN
Milan Kundera poetics is based on a “world of the romantic fiction built on the personal speech of the narrator” (M. Chvatík). Nevertheless, it enters in contradiction with some essays of Kundera himself, who centers on the figure of the storyteller, active figure of the narrative “from Rabelais to Laurence Sterne” (“Speech of Jerusalem”, resumed in The Art of the Novel). Kundera seems to give for task to the modern narrator to resuscitate an atavistic, pre-rational genius, chairing in instinctual desire to tell. Thus there is a contradiction between the ambition of recovery of the lively word — the voice of the storyteller — by the modern novel, and the actual practice of the story adopted by Kundera. This article tries to describe this paradox through one of these mythical categories approached in a recurring way by Kundera: that of laughter.
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Smích v literatuře středověké Rusi?

88%
Komendová J.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2018
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vol. 58
11-20
EN
The study analyses the reflection of laughter in medieval Russia in medieval literary studies from the 1970s to the present. Special attention is paid to the interpretation of laughter in the book by D. S. Likhachov and A. M. Panchenko The World of Laughter of Ancient Russia and the following reaction and re-interpretation of this issue in the texts of the Russian semioticians J. M. Lotman and B. A. Uspenski. The study also attempts to outline possible reasons why laughter does not appear in the writings of medieval Russia, which is a phenomenon that literary studies — being so far concentrated particularly on formulating the specifics of “Russian laughter” — have largely neglected.
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