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The Impact of Sporting Events on the Development of Tourism and the City’s Image – the Case of an International Horse-riding Competition Cavaliada in Poznań Based on a Survey of Spectators

100%
Malchrowicz-Mośko E., Poczta J.
Studia Periegetica
|
2018
|
vol. 22(2)
119-131
EN
The aim of the study was to determine whether Cavaliada attracts visitors who undertake tourist activities in the city and whether and how this event affects the image of the capital of Wielkopolska. The study is based on results of a survey in which spectators attending the international equestrian competition were interviewed using a standardized questionnaire. A total of 510 spectators, who were not residents of Poznań (sports tourists) took part in the survey. Unfortunately, it was not possible conduct the survey among the group of riders. Given the high profile of this event, the competitors could not be approached for an interview and questioned about their tourist behavior in the city. The most important finding is the fact that more than 60% of the respondents attending Cavalliada undertake an additional tourist activity in the city, and the majority (94.7%) believe that the organization of the event has a positive impact on the image of Poznan.
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O WARTOŚCIACH I WARTOŚCIOWANIU W KINIEO WARTOŚCIACH I WARTOŚCIOWANIU W KINIE

75%
Citko K.
Ars inter Culturas
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2016
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issue 5
49-60
EN
Talking about the axiological rule in relation to the art of film, should be taking into account the fact that the values appearing in the film can be seen on several different levels. The film is a work of art, and so realizes and embodies the values artistic and aes-thetic. At the same time its plot carries a variety of moral values. There are in the movie, mixed with each other, values associated with the pleasures of the spectators, the values of vital, spiritual, values ethic and aesthetic, as well as the values of sacrum and pro-fanum. In this case, it should be noted that the values occurring in the world of the screen, and represented by the team of filmmakers and the viewers, can generally distin-guish. Because the films also have the value of commercial objects, it is better talking about values in the cinema than in the film; such approach allows for the inclusion in the discussion of issues related to the film as a work of art, with film production, distribution and the processes of its reception. The article discusses the various types of values oc-curring in the cinema, as well as concrete examples of their corresponding films.
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