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EN
This article, apart from explanations concerning bishop’s insignia, describes his attire: a miter and a stole which can be found in the collection of Franciscan Fathers in Łagiewniki thanks to the friendship between Cardinal Sodano and father Śliwiński. Although the author does not explain the circumstances in which those insignia were transferred, he describes the insignia and informs about their symbolism. Due to insightful analysis of the embroidered coat of arms which is placed on the chasuble he found out who was the owner of this attire.
PL
Celem niniejszego opracowania jest ukazanie wielopłaszczyznowości symboliki szat liturgicznych ubieranych przez kapłana do sprawowania mszy świętej. Analizowana jest symbolika poszczególnych elementów stroju liturgicznego kapłana celebrującego mszę świętą w tzw. nadzwyczajnej formie rytu rzymskiego, ponieważ w rycie tym ze względu na większą ilość nakładanych elementów stroju liturgicznego zawarta jest bogatsza symbolika. Okazuje się, że symbolika poszczególnych szat liturgicznych ma wspólne podłoże znaczeniowe. Można zauważyć dwie główne płaszczyzny symboliki szat mszalnych. Pierwsza odnosi się do moralnego aspektu ludzkiego życia, gdyż wskazuje istotne charakterystyki celebransa Eucharystii. Druga zaś ma charakter chrystologiczny, ponieważ ukazuje kapłana jako „drugiego Chrystusa”, a więc tego, kto uobecnia Ofiarę Jezusa.
EN
The main purpose of this paper is finding the answer to the question of how the priest who celebrates the Holy Mass is noticed according to symbolism of liturgical vestments which he wears. The method used in these researches is analysis of liturgical vestments symbolism which is ascribed to a particular garment. Thanks to finding the meaning of liturgical vestments it is possible to point out the common symbolism. These researches rely on garments which are used during the Tridentine Mass because in this kind of liturgy there are more vestments so there is richer symbolism. On the basis of analysis it can be claimed that there are two main directions. The first one is moral direction, the second one is Christology direction.
EN
In the ancient culture of Greece, and then of Rome, when describing garments the colloquial term stola was used. But amongst many clothes of that time (stolae) a beautiful robe stood apart – stola, which was usually worn by wealthy matrons and as a result of transformations by men who were on the high-rank of the social hierarchy. Also Vulgate, introducing refined clothes, while at the same time the insignia of the dignity of a given person, used the term stola. In the first millennium of the Church stole, which was a garment that belonged to people with major orders, was defined as orarium or stola. What does the imperial insignia or robes orarium (stola) originate from? In the article, as an answer to the question, there are presented three hypotheses of Fr. Anthony Nowowiejski, four by Joseph Braun and other opinions of the researchers of the issue. Church in the East and West used these insignia. Only Rome, in the described epoch, did not use orarium (stola), although it was known. From the teaching of synods we learn about an obligation of wearing the orarium (stola), the way of wearing it by deacons and priests, the number of used orarium, and ornamentation and colouring. From the very beginning, insignia have its own symbolism given by Isidore of Pelusium, Pseudo-Germana from Paris, Amalary of Metz, and Raban Maur. In The Sacramentary of Amiens we could find the first prayer at putting the stole on. It appears from the prayer that the stole is the cloak of immortality restored after the sin of the first parent, and the robe of joy, and at the same time a defense against deterioration of the mind and body.
PL
In the ancient culture of Greece, and then of Rome, when describing garments the colloquial term stola was used. But amongst many clothes of that time (stolae) a beautiful robe stood apart – stola, which was usually worn by wealthy matrons and as a result of transformations by men who were on the high-rank of the social hierarchy. Also Vulgate, introducing refined clothes, while at the same time the insignia of the dignity of a given person, used the term stola. In the first millennium of the Church stole, which was a garment that belonged to people with major orders, was defined as orarium or stola. What does the imperial insignia or robes orarium (stola) originate from? In the article, as an answer to the question, there are presented three hypotheses of Fr. Anthony Nowowiejski, four by Joseph Braun and other opinions of the researchers of the issue. Church in the East and West used these insignia. Only Rome, in the described epoch, did not use orarium (stola), although it was known. From the teaching of synods we learn about an obligation of wearing the orarium (stola), the way of wearing it by deacons and priests, the number of used orarium, and ornamentation and colouring. From the very beginning, insignia have its own symbolism given by Isidore of Pelusium, Pseudo-Germana from Paris, Amalary of Metz, and Raban Maur. In The Sacramentary of Amiens we could find the first prayer at putting the stole on. It appears from the prayer that the stole is the cloak of immortality restored after the sin of the first parent, and the robe of joy, and at the same time a defense against deterioration of the mind and body.
PL
Zarys treści: Autorki omawiają dwa zabytki znalezione w trakcie badań archeologicznych w Kruszwicy. Według niej jeden z nich to fragment stuły, a drugi to cingulum.Abstract: The author writes about two monuments discovered in the course of archaeological excavations in Kruszwica and claims that one is a fragment of a stole, while the other – a cingulum.
EN
This study concerns two objects discovered in 1960 in the course of excavations conducted in the collegiate church of St. Peter and St. Paul in Kruszwica. The findings in question involve embroidery in silk and metal threads on plain and incised satinum. One of the pieces of embroidery shows the figures of bishops, and the other – Latin inscriptions. An analysis of the weaving and embroidery material and techniques as well as a comparative analysis of similar objects from the same period made it possible to formulate a hypothesis about their origin and significance: the first is a fragment of a stole, and the second is a cingulum.
PL
Zarys treści: Autorka omawia obiekty datowane na XII w., odnalezione w grobach w kościele kolegiackim w Kruszwicy: kielich z pateną, fragmenty taśmy jedwabnej z wyhaftowanym napisem, i jedwabną, haftowaną stułę. Zabytki te wskazują, że pogrzebane z nimi osoby zajmowały wysoką pozycję w hierarchii kościelnej. Zdaniem autorki pochówki tych osób potwierdzają opinię, zgodnie z którą Kruszwica była w pierwszej połowie XII w. siedzibą biskupią, a omawiany kościół miejscem pochówków prałatów.Abstract: The author discusses objects dated as twelfth-century and discovered in tombs in the collegiate church in Kruszwica: a chalice with a paten, fragments of a silk fabric with an embroidered inscription, and an embroidered silk stole. The monuments in question indicate that the persons buried together with them occupied a high position in the Church hierarchy. In the opinion of the author these burials confirm a view maintaining that in the first half of the twelfth century Kruszwica was the seat of a bishopric and the discussed church – the burial site of prelates.
EN
In 1960–1961 excavations were conducted in the interior of the collegiate church of St. Peter and St. Paul in Kruszwica as part of studies conducted by the Management for Research on the Beginnings of the Polish State. The research was supervised by Ewa Springer, M.A. Among 326 tombs explored in the interior of the building two, containing coffins, were opened but, unfortunately, had been previously tampered with and partly raided. One of the tombs (no. 24/II) contained a silver chalice with a paten and fragments of silk tape with an embroidered inscription, while the other (no. 70/VII) – an embroidered stole. The form of the chalice and the paten, the shape of the letters of the embroidered inscription, and the embroidery on the stole showing clergymen carrying two-horned mitres make it possible to date the Kruszwica monuments as twelfth-century. Their presence in tombs located in the Kruszwica collegiate church would indicate the high status within the Church hierarchy of the men buried there. Regrettably, both tombs were robbed of part of their outfitting and thus it is impossible to exclude that originally they also contained pastorals and rings.In view of the scarcity of the preserved sources with diverse and enigmatic contents it is difficult to recreate the history of the church of St. Peter in Kruszwica as well as that of the Kruszwica bishopric. Undoubtedly, in the first half of the twelfth century Kruszwica was the seat of bishops and the church of St. Peter was the burial site of the local prelates.
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