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Na(d)pisy teatralne – translacja pomiędzy sztuką a techniką

100%
Czubińska M.
Między Oryginałem a Przekładem
|
2016
|
vol. 31
153-166
EN
Surtitling, one of the multiple modern forms of stage translation, consists in the projection on a screen above the stage the text necessary for the understanding of the original drama. It is also a kind of hybrid form of translation situated between interpretation and translation and between audiovisual and literary translation. Based on the theatre semiotics, the author of this paper will determine the difference between surtitling and other forms of audiovisual translation and traditional theatre translation. The main purpose is to define phases of the work on the French version of surtitles for „(A)pollonia” – Polish drama directed by Krzysztof Warlikowski. As theatre art is always based on collaboration, we will determine and describe the contributions of the translator, director and surtitler to the final result – a play with surtitles.
2
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The Paramount Role of Translation in Modern Opera Productions

88%
Ożarowska A.
Text Matters: A Journal of Literature, Theory and Culture
|
2017
|
issue 7
258-272
EN
Opera is undoubtedly a particularly high and traditional genre of art, but recently there have been numerous attempts at breaking this stereotype and presenting opera in a contemporary light. The most popular way of achieving this aim is either staging modernized opera productions, i.e. transferring their plot from their traditional setting to the here and now, or considerably changing their interpretation. Staging modernized productions involves, first of all, the issue of stage design, and an alteration in the traditional interpretation is mostly created by acting, but nowadays it is also the translation shown in the form of surtitles that creates the significance of operatic productions.
3
Publication available in full text mode
Content available

The Paramount Role of Translation in Modern Opera Productions

88%
Ożarowska A.
Text Matters: A Journal of Literature, Theory and Culture
|
2017
|
issue 7
258-272
EN
Opera is undoubtedly a particularly high and traditional genre of art, but recently there have been numerous attempts at breaking this stereotype and presenting opera in a contemporary light. The most popular way of achieving this aim is either staging modernized opera productions, i.e. transferring their plot from their traditional setting to the here and now, or considerably changing their interpretation. Staging modernized productions involves, first of all, the issue of stage design, and an alteration in the traditional interpretation is mostly created by acting, but nowadays it is also the translation shown in the form of surtitles that creates the significance of operatic productions.
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