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1

Szopka – między sacrum a profanum. Genologia widowiska

100%

Nabiałek M.

Tematy i Konteksty

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2022

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vol. 17

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issue 12

102-121

EN

The article attempts to look at the nativity play in a genological context.The author’s aim is to broaden the context of reading this form of the show. It represents a polemical position towards the unambiguous linking of the nativity play withfolk culture. Instead, he suggests looking at it in the context of such forms as literary mimes, mysteries, comedy dell’arte and some mass spectacles. The consequence ofthis type of considerations is noticing the characteristic, according to the author, tension between the mystery and the farce, sacrum and profanum.

PL

W artykule podjęto próbę spojrzenia na szopkę w kontekście genologicznym. Celem autorki jest poszerzenie kontekstu odczytywania tej formy widowiska. Reprezentuje ona stanowisko polemiczne wobec jednoznacznego wiązania szopki z kulturą ludową. Zamiast tego proponuje przyjrzenie się jej w kontekście form takich jak mimy literackie, misteria, komedie dell’arte oraz niektóre widowisk masowych. Efektem tego typu rozważań ma być dostrzeżenie charakterystycznego, zdaniem autorki, dla szopki napięcia między misterium a farsą, sacrum a profanum.

2

„Niechaj nam w Jasełkach nikt nie przedstawia, że Jezus urodził się w Palestynie” – „Betlejem polskie” Lucjana Rydla jako szopka literacka

100%

Moroz A.

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria

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2019

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vol. 19

58-65

RU

The article is focused on Lucjan Rydel as the author of Polish Bethlehem – a nativity play in which its author saw the most perfect form of folk theatre, a concept he himself keenly propagated. The central issue here is an attempt to observe how Rydel, drawing upon the history of nativity plays as well as their traditional text and character, created a sublime patriotic spectacle which later became a template for all subsequent literary nativity plays inspiriting Polish history and at the same time commenting on current affairs. Furthermore, the text presents Polish Bethlehem through the prism of modernist artists’ interest in the nativity scene as a literary genre and juxtaposes Rydel’s work with the nativity plays written by the Green Balloon Cabaret in order to show two significant directions in which this cultural phenomenon was evolving at the turn of the 20th century.

3

Teatr bohatera popularnego Europy Zachodniej a polska szopka kolędnicza

80%

Tomaszewska E.

Edukacja Międzykulturowa

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2020

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vol. 12

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issue 1

262-276

EN

In the 18th century, a number of puppet figures began to gain popularity. They appeared on the traveling scenes of theatre troupes almost throughout Europe. They were comic figures of the character of popular heroes, presented in the streets, squares and markets and speaking to audience in their own language. One part of them came from the comedy dell’arte (Pulcinella, Poliszynel, Guignol, Don Cristobal, and Pietruszka). The theatrical roots of the heroes who appeared in German states (Hanswurst, Kasperle, Kašparek, Gašparko) reached the Elizabethan theatre and are associated with the presence of wandering theatre troups of English actors. They combined Elizabethan theatre with traditional figure of a folk jester. Because for Poland it is a time of slow loss of independence for the benefit of neighboring countries, the theatre of the popular hero was not created. Instead, the form of szopka (a nativity play) was developing. Comparison of the functions and significance of these theatrical phenomena is the subject of this study. It is also an attempt to draw the attention of educators to the educational values of the Polish nativity play.

PL

Od XVIII w. zaczął zyskiwać popularność szereg postaci lalkowych, które pojawiły się na wędrownych scenkach trup teatralnych niemal w całej Europie. Były to postaci komiczne o charakterze bohaterów popularnych, przemawiające do publiczności ulic, placów, targów - ich własnym językiem. Część z nich wywodziła się z komedii dell’arte (Pulcinella, Poliszynel, Guignol, Don Cristobal, Pietruszka). Korzenie teatralne bohaterów, którzy pojawili się z państwach niemieckich (Hanswurst, Kasperle, Kašparek, Gašparko), sięgają teatru elżbietańskiego i wiążą się z obecnością wędrownych trup angielskich aktorów, które włączyły do swoich przedstawień tradycyjną postać błazna. Ponieważ dla Polski jest to czas powolnej utraty niepodległości na rzecz państw ościennych, teatr bohatera ludowego nie powstał. Rozwinęła się za to forma szopki kolędniczej. Porównanie funkcji i znaczenia tych zjawisk teatralnych jest przedmiotem tego opracowania. Jest to także próba zwrócenia uwagi pedagogów na edukacyjne walory polskiej szopki kolędniczej.

4

Bożonarodzeniowa obrzędowość: kolędowanie z Szopką i Herody w województwie lwowskim, Bojkowszczyna na Ukrainie

71%

Borovets T.

Resovia Sacra : Studia Teologiczno-Filozoficzne Diecezji Rzeszowskiej

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2016

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issue 23

21-36

EN

Scientific interest in the traditional culture in order to preserve the spiritual wealth, especially in conditions of accelerated urbanization, unification, the spread of mass culture, it becomes even more relevant. Preservation of traditions, spirituality, each nation is not only a source of concern for culture, but also taking care of its development in our time and the future of every nation. Ukrainian rituals are the glue that has helped over the centuries to keep the national mentality, and cognitive and educational potential is the dearest treasure that helped survive nationalities, to keep down the centuries and today thrive in the global community of nations. While popular culture is best preserved its local traditions in celebrating Christmas, it was a feast worthy of special scientific interest.The object of the research is Christmas rituals: carolling with nativity and Herody villagers regions starosamborskiego and Sambor in Boykivshchina, Lviv region. The aim of this article is to determine the specifics of the Christmas rituals in the context of the overall cultural heritage of the Ukrainian nation on the basis of preserved archival materials Cathedral ethnology Lviv National University named I. Franko, and developed the scientific literature. Since 1998, efforts lecturers completed eighteen trips beginners ethnologists to various historical and ethnographic regions of Ukraine, including the land Bojkowszczyzny (2003, 2005, 2010); In 2005, students made an expedition to starosamborskiego region, base points were the villages Hołowecko, Dnistryk, Mszanec, Hwozdec, Hroziowe, Ripi, Wyciw, Babyno and others; in 2010 they were in villages in Sambor district Bojkowszczyzny - Kowynyczi, Werbiwka, Berehy, Baraniwci, Zarajckie, Kornyczi. Students ethnology, preparing for the expedition, develop a comprehensive program of interrogating, which is a reliable instrument for productive work in the field, such a methodology we used, we too, adding data from its own ethnographic research. The survey involved both men as women, young and older people.The history of the development of specific motifs carolling with nativity and Herody in Boykivshchina intrigued many contemporary scholars of folklore, as well as the author of this article, which points to the wealth of culture and religion in the region.The analysis and conclusions of the study can be used for detailed and deep acquaint with the Christmas customes of Boikivshchyna villages in Lviv region, in Ukraine. Materials of the research can also be used in textbooks, anthologies of religious and kulturological studies, topical special courses, as well as in the creation of a repertoire of folk groups and organizations Christmas celebration at schools, parishes and other collectives.

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1 Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria

1 Edukacja Międzykulturowa

1 Resovia Sacra : Studia Teologiczno-Filozoficzne Diecezji Rzeszowskiej

1 Tematy i Konteksty

1 2022

1 2020

1 2019

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1 Borovets T.

1 Moroz A.

1 Nabiałek M.

1 Tomaszewska E.

Szopka – między sacrum a profanum. Genologia widowiska

„Niechaj nam w Jasełkach nikt nie przedstawia, że Jezus urodził się w Palestynie” – „Betlejem polskie” Lucjana Rydla jako szopka literacka

Teatr bohatera popularnego Europy Zachodniej a polska szopka kolędnicza

Bożonarodzeniowa obrzędowość: kolędowanie z Szopką i Herody w województwie lwowskim, Bojkowszczyna na Ukrainie