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  1. 1 Schmid M. h.

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Wagners Ring in den Buddenbrooks von Thomas Mann:

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Schmid M. h., Stephens P.
Hudební věda (Musicology)
|
2020
|
vol. 57
|
issue 3
377-380
EN
Richard Wagner’s influence on Thomas Mann was wide-ranging, and has been critically evaluated on the structural and semantic level. But little attention has been paid to the specific music that Thomas Mann refers to in his description of Hanno Buddenbrook’s two piano fantasies. Here it seems as though he drew his inspiration mainly from pieces that the educated bourgeoisie could have known not just as a theatrical experience but also as orchestral music in the concert hall without any text: Isolde’s “Love Death” from Tristan and Isolde, the “Magic Fire Music” from The Valkyrie, and Siegfried’s “Death March” from The Twilight of the Gods.
CS
Vliv Richarda Wagnera na Thomase Manna byl mnohostranně a také kriticky hodnocen na strukturální i sémantické úrovni. Poněkud mimo pozornost zůstala konkrétní hudba, na kterou se Thomas Mann při popisu dvou klavírních fantazií Hanna Buddenbrooka odvolává. Zdá se, jako by se zde nechal inspirovat především kusy, které vzdělaná buržoazie mohla znát také mimo divadelní zážitek jako textu prostou orchestrální hudbu z koncertního sálu: z Isoldiny „Smrti z lásky“ z Tristana a Isoldy, z „Kouzla ohně“ z Valkýry a ze Siegfriedova „Smutečního pochodu“ ze Soumraku bohů.
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