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EN
Aft er the disintegration of the USSR, nation states formed which until today struggle for value orientation and collective identities. Especially the Russian identity seems heterogeneous and partially correlating with in-group vs. out-group stereotypes. Th e question arises how historical media communications can shape values and identity in Russia. In particular the breach of civilization by the Holocaust, as central element of European memory culture, off ers manifold references. Guiding the research is the model of “Multidimensional-Imparting-of-History” (MIH) which includes empirical indices of (humanitarian) values, national identity as well as European and Asian identifi cation. A media eff ect experiment carried out with young Russian subjects (Moscow, 2012, N = 192) shows that the reception of a Holocaust documentary has limited humanizing eff ects. Identity-building was ambivalent. Apart from a partial increase in nationalistic attitudes, there was predominantly an increase in cosmopolitism. Th e fi ndings in Russia are compared with results of similar studies in Austria, Germany and Israel.
DE
Der vorliegende Beitrag konzentriert sich auf die Frage, wie das Phänomen Terrorismus in Form schrecklicher Bilder vermittelt wird und welche Motive und Aspekte thematisiert werden. Das Korpus besteht aus multimodalen Kommunikationen, die mittels einer Internetsuche mit Hilfe der Suchmaschine Google ermittelt wurden. Unter multimodaler Kommunikation versteht man Kombinationen aus geschriebenen Texten und zweidimensionalen statischen Bildern, die zusammen mit anderen relevanten (Sub)Modalitäten wie Typografie und Farbe den Empfang bestimmen. In der Analyse wird folgenden Fragen nachgegangen: Was wird gezeigt? Wie wird es gezeigt? Welche Funktionen haben Text und Bild sowie die multimodale Kommunikation insgesamt?
EN
The present paper focuses on the question of how the phenomenon of terrorism is conveyed in the form of terrifying images and which motives and aspects are thematised. The corpus is composed of multimodal communications, which were determined by means of an internet search with the help of the search engine Google. Multimodal communications are understood to be combinations of written texts and twodimensional static images that, together with other relevant (sub)modalities such as typography and colour, determine the reception. The analysis will explore the following questions: What will be shown? How is it shown? What functions do the text and image as well as the multimodal communication as a whole have? Keywords: multimodal communication, multimodal text, multimodality, terrifying images, terrorism
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