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Einige Bemerkungen zur intermedialen Erzähltechnik in der polnischen Übersetzung des Debütromans „Niebo pod Berlinem“ (dt. Himmel unter Berlin - 2004) von Jaroslav Rudiš

100%

Kowalski J.

Językoznawstwo

2016

vol. 10

135-147

In the theoretical part, we present a historical tradition of the so-called montage effect as a relation between a text and a picture, which relates to the discipline known as linguistics of an image. In the material part, we analyze the intermedial narration technique on the example of a Polish translation of a quasi-novel (a debut novel) by Jaroslav Rudis Niebo pod Berlinem which is examined in the light of Walter Benjamin’s theory of culture.

‘Protecting the Temple of God’. On the Self-Presentation of Neshor on His Mendes Statue

84%

Bassir H.

Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)

2016

vol. 29

19–32

New publication, edition, and reading of the self-presentation of the famous Neshor named Psamtikmenkhib on his fragmentary Mendes statue from Late Saite Egypt. The religious beliefs, moral values, and preservation of the self of Neshor as well as some concluding remarks are presented.

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1 Językoznawstwo

1 Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)

2 2016

1 Bassir H.

1 Kowalski J.

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Einige Bemerkungen zur intermedialen Erzähltechnik in der polnischen Übersetzung des Debütromans „Niebo pod Berlinem“ (dt. Himmel unter Berlin - 2004) von Jaroslav Rudiš

‘Protecting the Temple of God’. On the Self-Presentation of Neshor on His Mendes Statue