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EN
The so-called ontological turn, drawing largely on Viveiros de Castro´s notion of Amazonian perspectivism, has attracted considerable attention in contemporary anthropology. The proponents of ontological relativism were indeed submitted to strong criticism focusing, among other things, on the questions of obscurity, solipsism or meta-ontology. In the theoretical section of the study, I present selected themes of this approach, its merits, but also its difficulties that I try to overcome by means of present-day phenomenological anthropology. The key question - in which are the examined otherness and its apprehending grounded? - I attempt to answer through the concepts of the everyday experience and the lifeworld. In the empirical section of the study, I illustrate the theory with the ethnography of Maya perception of crosses, mountains and caves, which are considered to be living and acting beings.
EN
The Maya civilization in new forms of museum exposition. Appropriation of pre-Columbian heritage for the benefit of Mexican national cultureThe article is dedicated to the reconstruction and reinterpretation of pre-Columbian heritage by Mexican museums, with a special focus on the Maya civilization which is a permanent feature of the Mexican imagery and an object of artistic fascination. Characteristic of the history of the Yucatan, it is subject to symbolic manipulation and subordinated to the national culture. This is accompanied by the processes of its banalization, folklorization and commercialization which are facilitated by new audiovisual forms. References to the heritage are selective and the images are transformed and adjusted in order to develop apprehensible artistic products for the general public. Cywilizacja Majów w nowych formach muzealnych. O przywłaszczaniu prekolumbijskiego dziedzictwa na rzecz meksykańskiej kultury narodowejArtykuł poświęcony jest współczesnym działaniom w Meksyku w zakresie rekonstrukcji oraz reinterpretacji znaczenia spuścizny prekolumbijskiej dla kultury narodowej tego kraju, na przykładzie muzealnictwa. Chodzi zwłaszcza o dziedzictwo Majów, które jest trwałym elementem meksykańskiego imaginarium i obiektem artystycznej fascynacji. Charakterystyczne dla historii Jukatanu i jego ludności tubylczej, podlega ono zabiegom przywłaszczania na rzecz kultury narodowej, tj. podporządkowywania jako integralnej jej części. Towarzyszą temu procesy banalizacji, folkloryzacji oraz komercjalizacji spuścizny Majów, czego przykładem są nowe formy ekspozycyjne. Odniesienia do dziedzictwa mają charakter selektywny, obrazy traktowane są wybiórczo, adaptowane i poddawane obróbce audiowizualnej w celu wypracowania łatwych w odbiorze produktów artystycznych dla masowego odbiorcy, łączących w sposób swobodny przeszłość ze współczesnością.
PL
Ththe Maya, Central America, water, water management, aguadas, chultunes, water lily, ancient civilisations e main task of this paper is to demonstrate how the ancient Maya solved the problem of collecting and storing water, which due to geological and hydrological conditions was in very short supply at a certain period. For this reason, the indigenous population developed a range of methods which enabled them to resolve the problem; for instance, they built reservoirs or utilised natural hollows to increase the capacity of water storage. This study aims to present their major hydrotechnological measures, which permitted normal functioning of a society in the very demanding climatic conditions.
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