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In the article I introduce several distinctions regarding the issue of civilisation in general, especially stressing the role of values in its development. I also discuss the bases of the Western civilisation, which are—I believe—undermined in the name of certain benefits overridden by propaganda of various types of “correctness” (political, religious, social, etc.). Technology with increasing intensity transforms societies into superstructures, where humanity is disappearing. Technology is becoming more and more mentally ergonomic, replacing man not only in physical work but also in mental work. It is not about the utopian rejection of technology, but about being aware of both opportunities and threats including enslaving by technology. The phenomenon seems to be particularly dangerous if we assume the existence of so-called superintelligence (N. Bostrom). So if technology is not anthropocentric, sooner or later it will lead to complete incapacitation of the human being, both physically and mentally. For this reason, we should seek an integral understanding of man and the so-called progress. It is necessary to understand what values are important in our individual and social life. The fundamental value is the art of wise life as the highest skill.
EN
Western Enlightenment ideas had already been introduced to Edo-period Japan in the early nineteenth century. However, it was not until the Meiji Restoration in 1868 that the modern Japanese Enlightenment movement really took off, when Japan left the sinocentric sphere and adopted Western civilization as its frame of reference. In this paper, I focus on two contrasting thinkers: Yukichi Fukuzawa (1835–1901) and Kakuzô Okakura (pseudonym: Tenshin) (1863–1913). Fukuzawa, one of the leading thinkers of the Japanese Enlightenment, internalized the Eurocentric view of the history of civilization as a norm and made a significant contribution to the Westernization of Japan. In contrast, in the face of the oncoming modernization, or Westernization, Okakura sought on the one hand to revive the ideals of the East, which were in danger of being forgotten, and on the other hand, to relativize Western modernity itself. He thus reveals the possibility of another Enlightenment.
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EN
The subject of Wojciech Rusinek’s review is Marek Bieńczyk’s collection of essays Jabłko Olgi, stopy Dawida [Olga’s Apple, David’s Feet]. The author begins his reading of the book by placing it in the context of Bieńczyk’s earlier achievements: both artistic (novels, literary essays) and academic (bearing witness to his studies on Romanticism). While noting that Bieńczyk’s essays are governed by a wealth and a surprising variety of the explored themes, Rusinek emphasises, however, the worldview coherence of the volume. According to the author of the review, a key to the interpretation of all the essays in the book is “the praise of the taste of life,” which makes a new tone in Bieńczyk’s writing, so far associated mainly with the reflection on melancholy and melancholy discourse present in his artistic prose. In the following part of the review, by outlining the content of the essays devoted to Proust’s and Nerval’s prose, Hopper’s painting or Sempé’s drawings, Rusinek analyses the anthropological figures around which Bieńczyk’s digressive and slow reflection revolves: gesture, light, escape, frozen time. The reading of Bieńczyk’s work becomes enriched with an analysis of style (a role of stylization). Moreover, the review points out those fragments of Jabłko Olgi, stopy Dawida where a description of artistic works becomes smoothly linked with the elements of the author’s biography. In the conclusion of the reflection upon Bieńczyk’s essays, the author states that the essays clearly lean towards poetics of epiphany, which, in the view of the author of Jabłko Olgi…, would mean an unclear, veiled by an infinite number of borrowings, allegories, allusions and stylizations, suspending the flow of time, experience of existence in its inexpressible fullness.
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