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EN
This article presents the history of the Police of the Second World War to the present. In 1939, the police corps had about 30 thousand officers. At the beginning of the Second World War, during the September campaign, killed nearly two thousand policemen. About 12 thousand. officers were sent to the Soviet captivity. Nearly six thousand. of them were murdered in the spring of 1940, lies on the Polish War Cemetery in Miednoje, the world's largest necropolis police, which was opened and dedicated on September 2000. December 17, 1939, in the General Government appointed Polish Police (hereinafter sometimes dark blue), reporting to the German Order Police. Polish Underground State Police structures formed at Army Headquarters, and on 1 August 1944, at the outbreak of the Warsaw Uprising, the Polish authorities formally disbanded the Police. October 7, 1944 by the decree of the Polish Committee of National Liberation communist government established the Citizens Militia, which served as the beginning of the service of nearly 60 thousand officers. In 1952 Poland broke off all relations with Interpol, which established in 1923 as one of the 20 states. April 6, 1990, after the transformation, the Polish Parliament established the Police. Formation returned to pre-war roots and entered into international structures. September 27, 1990, Poland was again a member of Interpol, and December 23, 1991, she entered the International Police Association (IPA).
Stylistyka
|
2007
|
vol. 16
175-190
EN
The main task of this paper has been to investigate the ways of combining tense forms in folk lyric poetry. The concept of folk lyric poetry in this case refers to the oriental-style love-song, the folk love song which was created with the advent of the eastem Islamie culture into the Slavic south, mostly among the part of the population which accepted the Islam. In terms of context, oriental-style love-songs are a shorter kind of songs, of about ten verse lines on average. Even though the texts in ąuestion are fairly short, they include multiple combinations of the tense forms employed. That is primarily due to the way of presenting their verbal content. The author has proved that the present tense form is the most frequent in this poetry. Why that is so and how its main function is realised are the issues treated in this paper. The author proves there is no oriental-style love-song belon- ging to verbless poetry, that all the songs were composed with the use of two, or usually morę tense forms. The most frequent are the combinations of the present and past tenses, the latter most often expressed by the perfect tense and the aorist. Morę rarely the futurę tense form is involved too.
EN
In this paper the author is dealing with combinations of tense forms in Serbian folk epic poetry and he statistically proves that the present tense is the predominant tense form in this kind of Serbian folk poetry. He is trying to discover the main reasons for such use of the present tense. As regards combinations of tense forms in Serbian folk epic poetry, they are rather free and depend, primarily, on the manner of presenting the epic content and on the length of the poem, but there is above all a certain regularity resulting in firm systems.
EN
Experiencing the disintegration of world of the value is located in a range of universal subjects, letting for establishing the dialogue of the tradition with the present. Passed dissertations are concentrating on analysis of the literary way of expressing the axiological vacuum, referring to such issues, like the belief in God, the vision of love, the idea of the house as the space safe, giving feeling approval and closenesses. In the area of contemporary literature stressed also a crisis of the belief in humanity is remaining as the source of the good, returning in visions and dreams. In the conglomeration of showing resemblances and differences above all an attitude of the nihilism, resulting from experiencing reality as the chaos which is giving none is becoming apparent of hope, causes the disintegration of the subject.
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