Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Refine search results

Journals help

  1. 1 Poznańskie Studia Slawistyczne

Years help

  1. 1 2012

Authors help

  1. 1 Szperlik E.

Results found: 1

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  the theme of smell in the novel
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

Zapach i kolor słów, czyli o próbach intersemiotycznego przekładu i synestezji w utworach Damira Miloša „Smetlar” i „Bijeli klaun”

100%
Szperlik E.
Poznańskie Studia Slawistyczne
|
2012
|
issue 2
EN
The aim of the intersemiotic and conceptual prose of Damir Miloš is to overcome the limitations  of language  and  literary  description,  especially  when  presenting  reality  through  the prism of sensual experience, both visual and olfactory. In Miloš’s prose the interconnectedness of art forms, often perceived today as a symptom of a literary crisis or a trend towards intermediality,  becomes  a special  and  convenient  pretext  to  use  intersemiotic  translation, visuality  and  synaesthesia  as  a means  of  presenting sensuality  in  literature.  The  Croatian author creates a world in which his protagonists, marked with certain incapacities or hypersensitivity of senses (an absolute sense of smell,  colour-blindness or blindness), conjure up their own individual and subjective reality. Thus, Miloš stresses the postmodern aspect of the multiplicity of truths and perspectives.
PL
The aim of the intersemiotic and conceptual prose of Damir Miloš is to overcome the limitations  of language  and  literary  description,  especially  when  presenting  reality  through  the prism of sensual experience, both visual and olfactory. In Miloš’s prose the interconnectedness of art forms, often perceived today as a symptom of a literary crisis or a trend towards intermediality,  becomes  a special  and  convenient  pretext  to  use  intersemiotic  translation, visuality  and  synaesthesia  as  a means  of  presenting sensuality  in  literature.  The  Croatian author creates a world in which his protagonists, marked with certain incapacities or hypersensitivity of senses (an absolute sense of smell,  colour-blindness or blindness), conjure up their own individual and subjective reality. Thus, Miloš stresses the postmodern aspect of the multiplicity of truths and perspectives. 
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.