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The article is devoted to the narrative theatre. Performances that represent this trend bring in to the scene, in various ways, the character of the narrator. In this draft, the theatre character has been subjected to a detailed analysis, since the character itself determines the specificity of this kind of perfoman- ces. Ivan Vyrypayevʼs July and Irena Jun’s Dinner at Countess Pavahoke’s (Biesiada u hrabiny Kotłubaj) served as research material. The author of the article, starting from H. Lehmann’s book on Postdramatic Theatre, compa- res among others the narrative theatre with the Brecht’s epic theatre.
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