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Teatralizacja świata jako wyznacznik odmiany gatunkowej powieści (Zwariowane miasto, Wteatrwstąpienie, Biała noc miłości)

100%

Sobiecka A.

Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica

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2019

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vol. 7

150-164

EN

The aim of this article is to describe selected 20th-century novels which deal with theatre and the rule of theatralization of the presented fictional world. The selected works (Zwariowane miasto by Jan Wiktor, Wteatrwstąpienie (rzecz o aktorze – romans nietypowy) by Jerzy Ronard Bujański and Biała noc miłości. Opowieść teatralna by Gustaw Herling-Grudziński) suggest that the process of staging fictional reality comprises not only the compositional mode of the characterized pieces, but also the inherent trait woven into the structure of the epic world. The reference point behind the analytical speculations is the “staging of life” concept by Mikołaj Jewreinow, stemming from the anti-naturalistic theatrical theories from the turn of the 19th and the 20th centuries.

PL

Artykuł charakteryzuje wybrane powieści XX wieku, których tematem staje się teatr oraz zasada teatralizacji powieściowego świata przedstawionego. Wybrane utwory (Zwariowane miasto Jana Wiktora, Wteatrwstąpienie (rzecz o aktorze – romans nietypowy) Jerzego Ronarda Bujańskiego oraz Biała noc miłości. Opowieść teatralna Gustawa Herlinga-Grudzińskiego) sugerują, że proces teatralizacji fikcjonalnej rzeczywistości stanowi zarówno dominantę kompozycyjną charakteryzowanych tekstów, jak również cechę immanentnie wpisaną w strukturę epickiego świata. Punktem odniesienia dla rozważań analitycznych staje się koncepcja „teatralizacji życia” Mikołaja Jewreinowa, wyrastająca z antynaturalistycznej teorii teatru przełomu XIX i XX wieku.

2

Humanizm teocentryczny czy chrześcijański personalizm?

41%

Wołoszyn B.

Studia Norwidiana

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2015

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vol. 33

269-275

EN

Renata Gadamska-Serafin’s book entitled Imago Dei. Człowiek w myśli i twórczości Cypriana Norwida [Imago Dei. The Man in Cyprian Kamil Norwid’s Thought and Works] is devoted to anthropological issues in the poet’s works. She focuses her studies on two anthropological issues: the essence of the man and the human condition; or in other words, the essence and the existence. These two issues are analyzed in the context of both the 19th century anthropological thought with all its base of theological and philosophical tradition, as well as of selected trends in modern anthropology. As a source context for Norwid’s reflections Biblical and patristic tradition, especially Paul’s theology, as well as Socratic philosophy and Thomism are referred to. The first chapters of the book are devoted to analysis and reconstruction of ontological aspects of Norwid’s anthropology. A lot of space is given to Norwid’s long and fervent polemic with Darwin’s evolutionism. The issue of Christian personalism in the poet’s works is especially meticulously presented. The second part of the deliberations on Norwid’s anthropology is devoted to the poet’s Christian existentialism recognized by the author. Quite a lot of space is taken up by three existential issues: suffering, sorrow and happiness. Another extensive part of the book, entitled Aetates hominum, is devoted to the periods in a human being’s life, from childhood to old age, in the poet’s works. And the final, short subsections deal with inter-human relations, such as love, friendship, politeness and dialogue. Looking for a formula that would describe Norwid’s whole thought about the man, in the conclusion the author reminds Hanna Malewska’s accurate definition: she called Norwid’s anthropology theocentric humanism.

3

Humanizm teocentryczny czy chrześcijański personalizm?

41%

Wołoszyn B.

Studia Norwidiana

|

2015

|

vol. 33

269-275

EN

Renata Gadamska-Serafin’s book entitled Imago Dei. Człowiek w myśli i twórczości Cypriana Norwida [Imago Dei. The Man in Cyprian Kamil Norwid’s Thought and Works] is devoted to anthropological issues in the poet’s works. She focuses her studies on two anthropological issues: the essence of the man and the human condition; or in other words, the essence and the existence. These two issues are analyzed in the context of both the 19th century anthropological thought with all its base of theological and philosophical tradition, as well as of selected trends in modern anthropology. As a source context for Norwid’s reflections Biblical and patristic tradition, especially Paul’s theology, as well as Socratic philosophy and Thomism are referred to. The first chapters of the book are devoted to analysis and reconstruction of ontological aspects of Norwid’s anthropology. A lot of space is given to Norwid’s long and fervent polemic with Darwin’s evolutionism. The issue of Christian personalism in the poet’s works is especially meticulously presented. The second part of the deliberations on Norwid’s anthropology is devoted to the poet’s Christian existentialism recognized by the author. Quite a lot of space is taken up by three existential issues: suffering, sorrow and happiness. Another extensive part of the book, entitled Aetates hominum, is devoted to the periods in a human being’s life, from childhood to old age, in the poet’s works. And the final, short subsections deal with inter-human relations, such as love, friendship, politeness and dialogue. Looking for a formula that would describe Norwid’s whole thought about the man, in the conclusion the author reminds Hanna Malewska’s accurate definition: she called Norwid’s anthropology theocentric humanism.

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2 Studia Norwidiana

1 Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica

1 2020

1 2019

1 2015

2 Wołoszyn B.

1 Sobiecka A.

Teatralizacja świata jako wyznacznik odmiany gatunkowej powieści (Zwariowane miasto, Wteatrwstąpienie, Biała noc miłości)

Humanizm teocentryczny czy chrześcijański personalizm?

Humanizm teocentryczny czy chrześcijański personalizm?