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EN
The author discusses some linguistic problems in translation of humorous segments within the computer game Deponia into Polish. The main goal of his article is to define some effective translation techniques and strategies, which can be helpful in the translation process.
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Strategie opisu kulturemów w audiodeskrypcji

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EN
The article presents the issue of using strategies developed in Translation Studies to describe culture-bound elements in audio description. In the first part, the authors discuss the place of audio description in Translation Studies and especially within the field of audiovisual translation and Jakobson’s categories of intersemiotic, intralingual and interlingual translation. Then research on audio description carried out within the framework of Translation Studies and research on culture-bound references in audio description is presented. Finally, the authors present how translation strategies can be applied in audio description of culturebound elements.
EN
Due to the importance of observing procedural deadlines, phrases expressing temporal relationships show specific features. These are high turnout, templateness, the ability to develop temporal formulas in the form of collocation chains, the specific distribution of language means depending on the branch of law and the connectivity of the leaders of these phrases. The comparison of temporal formulas in Polish and German law showed significant interlingual differences. They are the main reason for translation difficulties in this area. Confrontative analysis of published translations of selected legal acts revealed significant disadvantages of the translation strategies used in them. It also confirmed the value of micro-comparisons for translational purposes.
EN
Unlike the Canon law texts available in the Romanian principalities – Moldavia and Wallachia – falling under the Slavic influence, the first legal acts which are subscribed to the secular law and which appear in 1646 [“Carte Românească de Învățătură” (en. Romanian Book of Learning) or “Pravila lui Vasile Lupu” (en. Vasile Lupu’s Code of Laws)] and in 1652 [“Îndreptarea legii” (en. The Law’s Rectification) or Pravila lui Matei Basarab (en. Matei Basarab’s Code of Laws)] fall under the Greek-Byzantine influence. The present article aims to provide some information regarding the translation mechanisms applied by the Moldavian and Wallachian scholars of the 17th century who aimed at transposing the Byzantine Legal Standard to the everyday life of the two above mentioned Romanian principalities by means of fundamental procedures, such as “analysis (with the underlying meaning determination), transfer, restructuring, and testing” (Nida, 2004: 85) of the source message. The most precious information related to the translation process of those times is provided by the cases of untranslatability generated by the legal and terminological gap between the Receiver and the Transmitter. The identification and classification of these cases, but also the highlighting of the solutions the translator found to solve them, represent important steps in understanding the equivalenting process of two unequal legal systems that took place centuries ago in Eastern Europe, as illustrated by the case of the two Romanian principalities and the Greek-Byzantine one.
EN
Translation strategies in the face of cultural specificity of the 20th century Modern Greek prose translated into PolishAccording to Werner Koller, there are two main types of translations of texts which are connected to literature and culture. These types are adaptation and transfer. Adaptation is a result of using a translation strategy called domestication which consists in removing from the text all the elements which may seem odd or strange to the target reader and replacing them by some well-known units of the target culture. Transfer is a result of using a strategy called foreignization, that is of introducing to the target text some units characteristic of the source culture which may raise connotations of strangeness and foreignness. The choice of the strategy lies with the translator and depends on his vision of the target reader. The aim of this paper is to analyze translations of three Modern Greek novels into Polish with special attention paid to solutions chosen by the translators in the face of two main translation problems which are results of cultural specificity of the text: lexical problems and allusions to some historical, cultural and social facts as well as to the information these solutions provide on the translators’ vision of the target reader. Strategie tłumaczy wobec zjawiska obcości kulturowej w przekładach dwudziestowiecznej prozy nowogreckiej na język polskiWerner Koller wyróżnia dwa główne rodzaje przekładu tekstów związanych z literaturą i kulturą: adaptację oraz transfer. Adaptacja jest wynikiem użycia strategii tłumaczeniowej zwanej udomowieniem, która polega na usunięciu z tekstu elementów, które czytelnikowi docelowemu mogłyby wydać się obce i zastąpieniu ich dobrze znanymi mu elementami kultury docelowej. Transfer natomiast polega na zastosowaniu strategii zwanej egzotyzacją, tj. wprowadzeniu do tekstu docelowego elementów charakterystycznych dla kultury źródłowej, które mogą u odbiorcy tłumaczenia wywoływać poczucie obcości. Wybór pomiędzy tymi strategiami zależy od tłumacza oraz jego wizji czytelnika docelowego. Przedmiotem tego artykułu jest analiza przekładów trzech wybranych powieści nowogreckich na język polski, ze szczególnym uwzględnieniem rozwiązań zastosowanych przez tłumaczy w obliczu dwóch głównych problemów tłumaczeniowych, które wynikają z kulturowej specyfiki tekstu: problemów leksykalnych oraz odniesień do wydarzeń historycznych i faktów społecznych, jak również wiedzy, którą te rozwiązania dostarczają nam na temat wyobrażeń tłumaczy o czytelnikach docelowych przekładanych tekstów.
EN
The aim of this article is to analyse the translation strategies used to translate Paul Gauguin’s painting titles from Tahitian and French to Polish. We will analyse the titles that the artist painted directly on the canvases by making them invariant just like the image itself. The translations analysed come from works on Gauguin’s art and Impressionism, published in Polish since the 1960s of the 20th century.
EN
In the article the author analyses three different renditions of the fi rst and the sixth verse of Heine’s poem and presents his translation of these verses, which is an alternative to the previous translations. The analysis includes the form of the poem, semantics modifications of the source text and shows which translation strategies can be used by the translator while translating poetry.
PL
Autor dokonuje analizy trzech różnych tłumaczeń pierwszej i szóstej zwrotki wiersza Heinego oraz przedstawia własny przekład tych zwrotek, będący alternatywą dla tłumaczeń poprzednich. Analiza obejmuje warstwę formalną wiersza, wszelkiego rodzaju modyfikacje semantyczne tekstu źródłowego oraz pokazuje, jakimi strategiami tłumaczeniowymi może posłużyć się tłumacz podczas przekładu poezji.
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This article provides a comparative analysis of translation strategies for the English titles of Oscar-winning movies (Academy Award for Best Picture) into Polish, German and Russian. The titles analyzed show two strategies: adaptation and exotisation. However, they did not show a clear connection between the translation strategy and the degree of linguistic similarity since there was no clear dominance of exotisation in the German versions, considered to be the closest to the original. A significant use of explication of the meaning of the title in German versions was observed, which may indicate an attempt to more accurately convey basic information about a foreign movie to a German viewer.
EN
Piotr Kupryś was the first Polish translator to fully translate two classical works fundamental for Ukrainian literature. These were: Kobzar by Taras Shevchenko and Eneida by Ivan Kotliarevsky. Kotliarevsky’s Eneida is a vivid example of adapting diverse elements of oral folklore culture in modern Ukrainian literature. The article analyses types of translation procedures the translator applied when dealing with cultural context. Generally speaking, Kupryś followed two strategies of rendering cultural elements: domestication – in order to adapt the target text to target readers’ knowledge; as well as foreignisation with explanation – thanks to which he enriched target readers’ knowledge about reality and culture of the source text.
EN
In order to encourage the minimal reader to reach for Russian literature, one needs to present elements of the foreign reality in such a way that would encourage them to get to know alien phenomena and extend their cognitive base, rather than discouraging them with complexity and strangeness. One of the elements which are rooted in culture and which require proper management in translation are proper names. In translation from Russian into Polish it is worth focusing on managing hypocorisms (diminutives), colloquial forms of vocative and patronymics.
EN
Folklore phraseology was a inexhaustible source of linguistic measures for Ivan Kotliarevsky, as it allowed him to build humorous and satirical effects through introducing into his literary works colloquial, dialectal and jocular set phrases. The aim of this paper is to undertake comparative analysis of set phrases in the original and in the Polish translation of Eneyida in order to point out similarities and differences in these two languages. The author focuses on the translation strategies implemented to translate set phrases, and analysing particular non-phraseme word connections which very often replace set phrases in the target text.
EN
Building meaning implies the existence, or maybe the creation, in some cases, of a given context. Hence, context is a key element in the comprehension process. Translation as a linguistic act, based upon making ambiguous foreign language texts legible in one’s mother tongue or vice versa, relies primarily on interpretation. In fact, one’s understanding of a text depends on one’s understanding of its content as well as its context in the first place. Nevertheless, such a statement raises many questions whose answers are no Gospel truth. As a matter of fact, interpretation in the translation of political speeches is a case in point; it determines strategies to be adopted and positions to be taken as well.
EN
Due to the fact that the Polish translation of the Harry Potter series by Andrzej Polkowski is one of the most popular and influential in the latest years it seems to be very interesting to find out what qualities make a translation as popular as the original text. Obviously, it can be assumed that there must be a wide range of conditions to be met. However, this paper focuses only on one aspect, namely proper names, which can be found in the books as the plot is set in a non-real world containing a significant number of nouns that were invented for the purpose of the scenery and action. Thus, they pose a real challenge for translators. What is more, the article aims at answering the question of tendencies in the use of translation procedures.
EN
Since linguistics is nowadays an interdisciplinary field, translating theoretical texts belonging to the linguistic province is a complex activity which requires, on the one hand, specific strategies and instruments, and, on the other hand, particular competences from the translator/ editor. Our paper discusses and illustrates this specific case of translation, on the basis of examples of translated texts from French into Romanian belonging to the subfields of pragmatics and textual linguistics, with a focus on issues such as terminology, corpus, citations and paratext in translation.
EN
This study deals with the problems related to the translation of political texts in the theoretical framework elaborated by the researchers working in the field of translation studies and reflects on the terminological peculiarities of the special language used for this text type. Consideration of the theoretical framework is followed by the analysis of a specific text spoken then written in English and translated into Hungarian and Romanian. The conclusions are intended to highlight the fact that there are no recipes for translating a political speech, because translation is not only a technical process that uses translation procedures and applies transfer operations, but also a matter of understanding cultural, historical and political situations and their significance.
EN
Globalisation, close economic relations and the vicinity of Germany and Poland, have resulted in the need for translations of economic and legal texts in the Polish-German language pair. The aim of this paper is to present the state of research on translations of Polish codes into German. The first results of a confrontational analysis of the terminology of the Polish Penal Code and its printed German translations, which is the subject of the doctoral dissertation project, will also be presented.
EN
This paper analyzes problems involved in the Polish translation of proper names contained in Boris Pasternak’s novel Doctor Zhivago. Empirical material was collected from two Polish translations published in book form: by Jerzy Stempowski (Paris: Instytut Literacki 1959) and by Ewa Rojewska-Olejarczuk (Warsaw: PIW 1990). The study aimed to analyze translatorial equivalents taking into account the following criteria: consistency with the named object, informativeness of the name, and retaining the cultural ambience. The following research methods were applied: descriptive, com-parative analysis as well as functional and stylistic analysis. The comparative analysis focused on the adequacy of the applied translation methods.
EN
This article brings the idea on the subject of a mythopoetic approach to the characters from Slavic mythology in translations of poems by Sergey Gorodetsky into Polish. This article focuses on the following works: Полюбовники (1906) – Miłośnicy (1971) and Предки (without a date) – Przodkowie (1971). The intent is to analyse the translations and to track to what extent the trans-lator reflected the specificity of the characters from lower mythology (Russian леший, черт) pre-sented in the original, and how much their image has changed in the translation. The analysis will also focus on the “inner form of the word” (Potiebnia) to show how specific translational actions influence the perception of the lyrical situation shown in the poems. Finally, the extent to which equilinearity and equirythmicality have been preserved in the above-mentioned examples will be examined (Kwiatkowski).
EN
In this article subtitling and the resulting from it translation strategies are analysed. The article puts the main emphasis, on the one hand, on the technical restrictions, the resulting from it need to shorten, con- dense and simplify the text, and the translation strategies used for this purpose according to Gottlieb, Chesterman, Tomaszkiewicz and Belczyk, e.g.: deletion, condensation, omission, numbers, decimation, paraphrasing, simple syntaxis, etc. On the other hand, it deals with the translation of culture-related components, based on such strategies: omission, literal translation, borrowing, adaptations, substitu- tion of Culture-Specifics, generalization, translation of black humour, explications/explanations. The German-Polish subtitling of the movie „Er ist wieder da“ (2015) served as a case study, from which many examples illustrate the discussed phenomena. The aim of this paper is to examine the translated linguistic-cultural-comic triad, taking into account the strategies used in translation. Based on the multidimensional (at syntactic-semantic-pragmatic level) analysis of the original and its translation, these results point to possible that the translator faced seemingly insurmountable hurdles. In order to translate equivalently, he had to make use of many different word combinations. Thanks to numerous examples of text condensation strategies, it can be stated that many movie scenes can be translated intersemiotically. Many omissions that were made could be compensated without problems by means of image and/or sound, so that it is unnoticeable for the viewer at semantic-trans-cultural level.
EN
In the literature concerning this subject three phases of development characterizing Polish law emerge. The first phase covers the inter-war period, when five different legal codes were in effect across the Polish state. The second phase characterizes the time of the Polish Peoples Republic, and the third dates from the political changeover in 1989. The present article concerns civil law operating in the fi rst of the above-mentioned periods, specifically the German civil code in effect in the western parts of the Second Republic. Particular attention is given here to Volume IV of family law and to the nominal compounds occurring in it. Nominal compounds enjoy a privileged place in German word-formation. In the present article they are subjected to an analysis by comparing them to their Polish equivalents as used in official translations from the German civil codes of 1923 and 1933. First, the aims of translating the German civil code during the Second Republic are discussed. Next, the semantic relationships holding between and among the elements of German Compounds—whether modifying, appositive, or lexical paraphrase—are analyzed, and their equivalents in Polish are given, among which the most common turn out to be adjectives and adnominal genitives. The majority of the correspondents to German compounds in contemporary Polish turn out to be conventional phrases; only a small number are no-longer used calques from German. Among the latter are translations of German legal concepts with no obvious correspondent in Polish, such as laws covering civil rights (Ehrenrechte) or mortgages (Grundschulden).
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