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Puppet Cabaret: Visual Idioms, Performance Technologies and the Poetics of Czech Special Puppets in a European Context 1850–1950 : (From Artistic Automata through Trick and Variety Puppets, to Puppet Cabaret and Variety Show Clowns and Acrobats)

100%
Jirásková M., Jirásek P.
Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)
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2015
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vol. 18
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issue 2
70-134
EN
This article brings an analysis of the history and development of variety and trick puppets in the Czech lands between 1850 and 1950 together with a discussion of the extant artefacts, with a particular focus on the mechanics of these special puppets and their innovations during the Modernist decades in a European context. Variety and trick puppets were also significant components of the traditional marionettists’ productions and complement, and the article also considers the extant ephemera surrounding that tradition of performance.
2
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The Enigmatic Puppets of Important Czech Marionettists, the Flachs

84%
Blecha J.
Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)
|
2015
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vol. 18
|
issue 2
35-69
EN
This article brings summative information in relation to the Flachs, one of the leading families of traditional Czech folk marionettists. It focuses on the last three generations, from the mid-nineteenth century to the decline of itinerant family marionette troupes in the 1950s. The article also analyses extant puppets made and used by the family and their distinctive carving techniques.
3
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Christian Janetzky  : die (Wieder-)Entdeckung des barocken Entertainers

67%
Rudin B.
Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)
|
2019
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vol. 22
|
issue 2
79-92
EN
The article deals with the Pickelhering actor and dramaturge Christian Janetzky, whose former popularity manifests itself in a portrait etching from Nuremberg created for advertising purposes and a posthumous collection of farce comedies. As a 'histrio', i.e., an entertainer for social entertainment, he developed a character that has so far not been considered in research on professional theatre in the early modern period. The troupe with which Janetzky was performing, under the direction of Carl Andreas Paulsen and later Johannes Velten, had several times enriched their repertoire with stage works of the Bohemian origin.
DE
Der Beitrag beschäftigt sich mit dem Pickelhering-Darsteller und Dramaturgen Christian Janetzky, dessen einstige Popularität sich allein schon in einer Nürnberger Portraitradierung zu Werbezwecken und einer postumen Schwanksammlung manifestiert. Als 'Histrio' – i.e. Entertainer für gesellige Unterhaltungen – entwickelte er ein Rollenprofil, das bislang in den Forschungen zum professionellen Theater der Frühneuzeit noch keine Berücksichtigung fand. Seine Truppe unter der Leitung Carl Andreas Paulsens, dann Johannes Veltens hatte ihr Repertoire mehrfach auch mit Bühnenwerken böhmischer Herkunft angereichert.
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