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Dlouhé trocheje v české poezii

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Sgallová K.

Česká literatura (Czech Literature)

2012

vol. 60

issue 3

321-337

This article presents an overview and an explication of long-trochaic verse in Czech poetry, particularly of the nineteenth century. It seeks to supplement Miroslav Červenka´s explication of Czech syllabotonic verse from Kapitoly o českém verši [Chapters on Czech verse], which Červenka was unable to finish. The author takes advantage of material which had been elaborated for international researchers working on Slavic verse, but in many respects has been expanded by other collections of work. Long-trochaic verse is explored here from the point of view of its inner structure and the history of literature. In the National Revival, trochaic pentameter was the meter employed most frequently after trochaic tetrameter; it was the high-style meter trating serious topics, but from the second half of the nineteenth century onwards it began to lose its status. What was fundamental to trochaic hexameter was whether or not it kept to the rule that it was divided into two symmetrical units in a line. During the National Revival it was used a great deal, particularly in celebratory and reflective verse and in translations. It appears later in most epic verse and lyrical-narrative verse, and often also in polymetric verse. Trochaic heptameter occurs least frequently in Czech verse, and usually in combination with other metrical forms (trochaic pentameter and hexameter). Trochaic octameter from Milota Zdirad Polák´s Vznešenost přírody (1819) was used for the portrayal of natural phenomena or in pathos-filled meditations. Twentieth-century authors were no longer interested in this meter, because for them free verse had become an alternative to long metrical line.

Distribuce předpon v českém sylabotónickém trocheji

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Plecháč P., Hlaváčová J., Merthová K., Kolár R.

Slovo a slovesnost: časopis pro otázky teorie a kultury jazyka (Slovo a slovesnost: A journal for the theory of language and language cultivation)

2017

vol. 78

issue 4

322-332

The article deals with the use of prefixes in the Czech accentual syllabic trochee. We test a hypothesis raised by Miroslav Červenka, Květa Sgallová, and Petr Kaiser which states that some authors in the 19th century used prefixes to moderate rhythmical irregularities. In our analysis – based on automatic prefix recognition in a large body of poetic texts from the Corpus of Czech Verse – we observe a clear tendency in the work of some authors to employ prefixes in such contexts with a frequency significantly higher than would be expected merely by chance. Furthermore, we observe this technique to be very common in the first half of the 19th century, but to gradually disappear in later works.

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1 Slovo a slovesnost: časopis pro otázky teorie a kultury jazyka (Slovo a slovesnost: A journal for the theory of language and language cultivation)

1 Česká literatura (Czech Literature)

1 2017

1 2012

1 Hlaváčová J.

1 Kolár R.

1 Merthová K.

1 Plecháč P.

1 Sgallová K.

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Dlouhé trocheje v české poezii

Distribuce předpon v českém sylabotónickém trocheji