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Heidegger and the finitude of the work of art

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Morrison A.
Studia Philosophiae Christianae
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2013
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vol. 49
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issue 4
155-179
EN
Heidegger’s The Origin of the Work of Art reevaluates how artworks are meaningful by offering a phenomenological description of the work of art as an historically situated event. This ontological interpretation of art not only rehabilitates our sense of the materiality and singularity of the artwork but it also enables us to think the conditions of the creation and genuine preservation of artworks. In this paper I develop the concept of ruination and argue that ruination is the essence of the artwork. My interpretation emphasizes Heidegger’s insistence on the finitude of the artwork and reveals that Heidegger’s example of the ruin of the ancient temple is exemplary precisely because the ruination of the artwork is an essential characteristic of its happening rather than something that befalls it from outside.
2

Bycie prawdy a prawda bycia w myśleniu filozoficznym Martina Heideggera

100%
Michalski K.
Kwartalnik Filozoficzny
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2020
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vol. 48
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issue 3
51-74
EN
Truth is a central concept in human thought. The philosophical reflection on the relationship to the human world and to reality was therefore always, directly or indirectly, a reflection on the meaning of the concept of truth. The question of the meaning of truth and of the conditions for human relation to truth has long been a fundamental question for philosophy because philosophy stands for the idea that human life as a whole is oriented towards truth, that is, for the idea of the life in critical responsibility. For Heidegger the question of truth is neither the question of the logical conditions of the statement about truth nor the question of beings, but the question of the truth of beings and the truth of being itself.
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