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Kam s nimi? Hesla a nápisy v ulicích z listopadu 1989

100%
Petráňová L.
Český lid: etnologický časopis (Český lid: Ethnological journal)
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2009
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vol. 96
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issue 4
421-444
EN
From a distance of twenty years the author contemplates the short literary texts that accompanied the downfall of the totalitarian regime in Czechoslovakia in the year 1989. Slogans and inscriptions, hanged out by hundreds on the busy places of political protests, belong to the symbols shared in the process of social interaction and, at the same time, are distinguished by many aspects that classify them as folklore. The analysis of their unique character, historical importance and their possible use by other scientific disciplines is based in the collection of these communicates, preserved at the Institute of Ethnology of the Czech Academy of Sciences in Prague.
2
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Językowa kreacja miasta i jego mieszkańców w łódzkich tekstach folklorystycznych

86%
Bieńkowska D., Umińska-Tytoń E.
Studia Językoznawcze. Synchroniczne i diachroniczne aspekty badań polszczyzny
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2015
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vol. 14
43-55
EN
The aim of the article is a reconstruction of the image of the city and its inhabitants done on the basis of nearly seventy songs found in Łódź folklore texts from the interwar period. The regionality of folklore texts is shown in particularly strong way in the image of the city and its space. It is indicated by local names, authentic urban object names: cafes, restaurants and also by quite realistic image of the city. In the contrary, the picture of two main social classes of inhabitants – the factory workers and the outcasts of the society – is rather standardized, typical and generalized. If we compare the texts from Łódź to the texts from Warsaw, striking similarity will be easy to observe. The resemblance is obvious in the naming (personal names), the language used by the social classes, and in the way of evaluating the social attitude – particularly in relation to the criminal world.
3
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Ироническая оценка советской действительности в творческой биографии Oлега Григорьева

86%
Popiel-Machnicki W.
Studia Rossica Posnaniensia
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2020
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vol. 45
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issue 1
PL
This text is an attempt to acquaint the reader with the writer’s biography of Oleg Grigoryev, a Russian poet and a representative of “the literary underground”. His works can be classified as urban folklore. Most of his poems are full of harsh irony, which may shock with its dark humour. Grigoryev often resorts to the poetics of the absurd, which may lead a keen reader to the conclusion that he is close to the creative actions of the poetic group of the Oberiuty with Daniil Kharms and Alexander Vvedenski as their main representatives. In this light, Grigoryev’s poetry can be interpreted as a reflection of the dark Soviet reality in which he lived and with which he struggled. Such an attitude surely did not help him in succeeding within the official Russian literature.
4
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Śląskie wampiry i niebezpieczne nieznajome – jak powstają legendy miejskie?

72%
Amrozy K.
Athenaeum. Polskie Studia Politologiczne
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2017
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vol. 53
116-135
EN
An article Silesian vampires and dangerous strangers – how does urban legends arise? is raising a question about a modern myths, which can form safety culture of society. They are also a challenge for service in charge of public security. The main functions of urban legends are: warning about a danger, entertaining, explaining incidents, propaganda or marketing. Theories and categories of urban legends in article are pictured by following stories: bloody hook, killer on the backseat, silesian vampires, organs thieves, cadaveric poison and fake policeman. This is only a small part of urban folklore, but it is worth to investigate how does the stories evolve.
PL
Głównym celem artykułu jest przedstawienie cech charakterystycznych, funkcji oraz podziału współczesnych legend miejskich. W tekście przytoczone zostały modele znanych badaczy miejskiego folkloru: Czubali, Brunvanda, Gajdzińskiego, Barbera. Opisowi głównych kategorii legend miejskich towarzyszą odpowiednie przykłady, takie jak: historia o krwawym haku, zabójcy na tylnym siedzeniu, śląskich wampirach, złodziejach organów, trupim jadzie oraz o fałszywym policjancie.
5
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Legendy miejskie netloru jako wyraz niepokojów współczesnego świata na przykładzie legend internetowych

58%
Napiórkowski M.
Literatura i Kultura Popularna
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2018
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vol. 24
357 - 368
EN
The article discusses the topic of urban legends on the Internet. The author presents the contemporary context in which urban legends function, paying attention to the importance of social un­rest in shaping and disseminating these stories. Furthermore, the author presents other forms related to urban legends circulating on the internet, such as chain letters and creepypasta. Using the example of netlore legends, the author presents areas in which the anxiety arising from the development of modern technology can freely spread — primarily the internet, viruses and computer applications that can be provided as a source and form of fear transmission. The author refers to the theory of the rumor of Jean Delumeau, and Marshall McLuhan’s media theory. The examples of urban legends have been drawn from Mark Barber’s book Urban legends.
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Projekt "Melodie Miasta Łodzi". Czyli o próbie praktykowania paraetnomuzykologii praktycznej w przestrzeni wielkomiejskiej

58%
Puliński B.
Łódzkie Studia Etnograficzne
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2018
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vol. 57
EN
The author presents in the article his own project Lodz City Melodies. The project concerns musicians and music connected, above all, with the disappearing traditional folklore that can be found in the city of Lodz. The priority of the project is to find Lodz musicians (related to any disappearing musical traditions) and to promote their playing. In the article, the author discusses theoretical assumptions and the method of work, stages of project implementation and the effects (acceptance of the project by traditional music community).
PL
Autor przedstawia w artykule własny projekt Melodie Miasta Łodzi. Projekt dotyczy muzykantów i muzyki, związanych przede wszystkim z zanikającym folklorem różnych tradycji, który można znaleźć w mieście Łodzi. Priorytetem dla przedsięwzięcia jest odnalezienie łódzkich muzykantów (związanych z dowolnymi zanikającymi tradycjami muzycznymi) oraz promocja ich gry. W artykule autor omawia założenia teoretyczne i metodę pracy, etapy realizacji projektu i jego efekty (akceptacja przez środowisko muzyki tradycyjnej).
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Filmowa Łódź w oczach studentów i profesorów PWSFTViT

26%
Hendrykowski M.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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2013
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vol. 12
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issue 21
227-241
EN
Łódź is often called “the capital of Polish film”. The cultural history of this town from the end of World War Two to the present day is closely connected with the movie industry. Marek Hendrykowski’s study on Łódź as a cinematic city offers the first comprehensive critical guide to the many films, interviews, published writings and individual memoirs of the Film School’s students and professors. This panoramic view presents the process of the historical transformation of cinematic images from Łódź between 1945 and 2013, as well as the profound influence this town had on many filmmakers. It serves as a reference work that will allow readers to navigate the subject’s wide range of examples: from Antoni Bohdziewicz, Jerzy Bossak, Kazimierz Kutz and Andrzej Wajda to Krzysztof Kieślowski, Wojciech Wiszniewski, Janusz Kijowski and Polish filmmakers of new generation.
PL
Cinematic City Łódź through eyes of the Film School. Students and Professors Łódź is often called “the capital of Polish film”. The cultural history of this town from the end of World War Two to the present day is closely connected with the movie industry. Marek Hendrykowski’s study on Łódź as a cinematic city offers the first comprehensive critical guide to the many films, interviews, published writings and individual memoirs of the Film School’s students and professors. This panoramic view presents the process of the historical transformation of cinematic images from Łódź between 1945 and 2013, as well as the profound influence this town had on many filmmakers. It serves as a reference work that will allow readers to navigate the subject’s wide range of examples: from Antoni Bohdziewicz, Jerzy Bossak, Kazimierz Kutz and Andrzej Wajda to Krzysztof Kieślowski, Wojciech Wiszniewski, Janusz Kijowski and Polish filmmakers of new generation.
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