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PL
The author supports the claim that attempts to formulate a universal definition of the term “populism” are not worthwhile, because the sense of the term is usually determined by a specific social context. Understanding the utopian nature of populism provides a better understanding of the utopian nature of democracy and allows for a humble departure from dreams of a perfect social order, because, as has been shown in numerous survey studies, the contemporary shift of social mood, attitudes, and opinions toward some version of populism is a relatively simple consequence of the deficiencies of democracy in its neoliberal version.
Tematy i Konteksty
|
2019
|
vol. 14
|
issue 9
693-706
EN
The artistic output of Zdzisław Beksiński finds recognition all over the world. Not so long ago, his visual heritage was enriched by new, literary accomplishments – the collection of short stories written by the artist between 1963 and 1965. The present paper is an analysis of three most expressive pieces in terms of studied esthetics: Na końcu ogrodu, Centrala snów oraz Informator.Beksiński’s short stories are here placed in the context of postmodern melancholy characterized by affirmation of experienced emptiness the source of which was sought for in Beksinski’s generational experiences. On these grounds, a thesis is proposed where the holistic creative concept which merges visual and literary accomplishments is expressed by three figures: decay, repetition and ontological uncertainty. Not only is the object of the analysisa theoretical aspect of a worldview present in the literary works but it also functions as  a specific fictional-structural solution.
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