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EN
The study is based on a specific status of university professors in the society. The basic question is what locations they aim at when leaving for their summer stays and what aspects play an important role. Special attention is paid to research work which professors could perform at their summer homes, and also to the existence of summer communities that comprised scholars and scientists.
EN
The bearers of Czech tramping, which arose more than a century ago and has undergone an extremely remarkable development, have always been primarily young men, to a lesser extent female. Their active hiking had lower and upper boundaries. While the lower limit was relatively strictly determined by reaching the age of majority, that is to say,the age of fifteen, the upper limit (that is, thepartial or definitive end of tramping activity and affiliation with the tramp community) was rather relative. The study focuses on covering the range of these cut-off points of active tramping, which were mostly identical to major life milestones (entry into basic military service, starting a professional career, entry into marriage, parenthood, or even death).
EN
The essay deals with the transformation of society and culture in totalitarianism with the example of the Czech folklore revival movement between 1948 and 1989. The text reflects the results of research that used the method of oral history in combination with the study of official and unofficial written and pictorial sources. While describing the principal objectives of the Communist cultural policy, the essay observes the reasons for the mass development of folk ensembles in the 1950s and the gradual transformations of their activity’s philosophy. The degree of cooperation between folk ensembles and political power, and their exploitation for the propagation of Communist regime was varied. Politically engaged performances as well as participation in the events organized by the totalitarian state apparatus – all that has resulted in the negative attitude that a part of the Czech public has adopted towards the folklore revival movement as a whole. Yet it is currently obvious that most members of folk ensembles were not politically motivated, and for many of them this leisure activity was an escape from reality to the romantically viewed world of folk culture and its ethos.
CS
Příspěvek se zabývá proměnou společnosti a kultury v totalitarismu na příkladu folklorního hnutí v českých zemích v letech 1948–1989. Text reflektuje výsledky výzkumu realizovaného metodou orální historie v kombinaci se studiem oficiálních i neoficiálních písemných a obrazových pramenů. Popisuje hlavní cíle komunistické kulturní politiky, sleduje důvody masového rozvoje folklorních souborů v 50. letech i postupné proměny filozofie jejich činnosti. Míra kooperace folklorních souborů s politickou mocí a jejich využívání pro propagaci komunistického režimu byla různorodá. Politicky angažovaná vystoupení i účast na akcích organizovaných totalitárním státním aparátem – to vše vedlo k tomu, že část české veřejnosti má k folklornímu hnutí jako celku negativní postoj. Přesto je dnes zřejmé, že motivace činnosti většiny členů folklorních souborů byla nepolitická a pro mnohé byl tento způsob trávení volného času únikem z reality do romanticky nahlíženého světa lidové kultury a jejího étosu.
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