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"Denaturalized" Mimesis

100%
Zuska V.
Estetika: The Central European Journal of Aesthetics
|
2006
|
vol. 42
|
issue 1-3
46-51
EN
The traditional theme of mimesis as a fundamental factor in art, art theory, and aesthetics has undergone many changes of meaning, ups and downs. The present article traces the development of the idea from the point of view of the understanding and appreciation of natural beauty. An inquiry into the relationship between art and reality, that is, mimesis, and the question of the order, reveals two lines of development and their point of bifurcation in Kant and Hegel. The Hegelian line heads towards structuralism, semiotics, semiology and linguistics, to a reduction of orders into standardized norms and epistemes, where the auto-referentiality of art is accented. The Kantian notion of mimesis as 'imitation', which understands the aesthetic idea of the natural order enables the transcendence of episteme and the presentation of the order in the state of becoming. This approach restores the true nature of art.
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Krajina jako maska přírody: Estetika subverze versus estetika konformity

63%
Zuska V., Dadejik O.
Estetika: The Central European Journal of Aesthetics
|
2007
|
vol. 44
|
issue 1-4
28-44
EN
The article considers the possibilities of the function and constitution of aesthetic value in the contemporary, ambivalent notion of landscape. It begins with a preliminary analysis of three key concepts central to current discussions - namely, nature, landscape, and environment. It presents one of the dominant models of contemporary ideas about the aesthetics of landscape - the natural environmental model - and in particular its ambition to accommodate both the true character of today's relationship between man and his habitat and our aesthetic experience and understanding of it. Mainly, the essay points out the theoretical difficulties implied in this. In conclusion, the article suggests the hidden ethical dimension of our possible relationship to our environment (that is, nature-in-landscape).
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