TIME IN OPERA

• Authors: Blahynka M.
• Languages of publication: SK

Abstracts

EN

The study deals with time in opera as one of the most important categories of theatre and also of drama. It stems from the comparison of classical definitions of aesthetics and the conception of temporality in theatre written by Patrice Pavis. He is trying to answer the question, which peculiarities of music contribute to the temporality of opera work. Through practical models of several eminent Slovak theatrical opera stagings he is exploring how the time dimension of a work of art manifests itself in modern theatre.

Keywords

EN

CONCEPTION OF TEMPORALITY; OPERA; TIME DIMENSION IN OPERA STAGING

Discipline

• ARTS_&_ARCHITECTURE: ARTS & ARCHITECTURE

• Publisher: Institute of Theatre and Arts, Slovak Academy of Sciences
• Journal: Slovenské divadlo (Slovak Theatre)
• Year: 2005
• Volume: 53
• Issue: 4
• Pages: 356-360
• Document type: ARTICLE

Contributors

author

Blahynka M.

• M. Blahynka, Kabinet divadla a filmu SAV, Dubravská cesta 9, 842 04 Bratislava, Slovak Republic

Identifiers

CEJSH db identifier

06SKAAAA00771890