BOUNDARIES AND DEFINITIONS: THE COMPOSITIONAL REALITIES OF POLISH SONORISM

• Authors: Thomas Adrian
• Languages of publication: EN

Abstracts

EN

The article focuses on the concept of sonorism and related terms as musicological and critical tools used in in the description of Polish music after 1956. The author demonstrates that this termonology has constituted a valuable component in musicological thinking in Poland, and he considers various advantages as well as stylistic and chronological limitations of sonoristic concepts for music composed beyond the 1960s

Keywords

EN

CHOMINSKI JOZEF MICHAL; MUSIC (20TH C.); POLISH MUSIC; THEORY OF MUSIC

Discipline

• ARTS_&_ARCHITECTURE: ARTS & ARCHITECTURE

• Publisher: Polska Akademia Nauk. Instytut Sztuki PAN
• Journal: Muzyka
• Year: 2008
• Volume: 53
• Issue: 1(208)
• Pages: 7-15
• Document type: ARTICLE

Contributors

author

Thomas Adrian

• Adrian Thomas, Cardiff School of Music, Cardiff University, 33 Corbet Road, CF10 3EB, Great Britain

Identifiers

CEJSH db identifier

09PLAAAA057713