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2007 | 61 | 2(277) | 86-92

Article title

The Apocryphal Nature of the Painting: Icons of St. Constantine and St. Helen in Anastenaria

Authors

Title variants

Languages of publication

PL

Abstracts

EN
Greek refugees from Bulgaria, who during the 1920s settled down in Greek Macedonia, brought over the ancient cult of the Anastenaria, a pagan ritual which merged the Christian holiday of St. Constantine and his mother, Helen. The presented text contains a description of the basic elements of the holiday in question, with special attention paid to the icon of the Anastenarides, traditionally described as the superior component of the cult. In this case, the iconic aspect was discussed in reference to studies dealing with the apocrypha, conducted by Prof. Wiesław Juszczak, as well as an account about similar objects in antiquity, The Apocryphal Nature of the Painting is an attempt at a new look at the icon,

Year

Volume

61

Issue

Pages

86-92

Physical description

Document type

ARTICLE

Contributors

  • R. Lewandowski, c/o Instytu Sztuki PAN, ul. Dluga 26/28, 00-950 Warszawa, Poland

References

Document Type

Publication order reference

Identifiers

CEJSH db identifier
07PLAAAA03146489

YADDA identifier

bwmeta1.element.4cddaca1-eacf-39a6-9e7a-445b86c1a23d
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