SAINT FRANCIS BY JACEK MALCZEWSKI AND THE DIONYSIAN IDEA ( Sw. Franciszek Jacka Malczewskiego i idea dionizyjskosci)

• Authors: Haake Michal
• Languages of publication: EN PL

Abstracts

EN

The study attempts to address the widespread idea about syncretism of Jacek Malczewski's art, combining the ancient cult of Dionysus and the Christian teachings on salvation. The analysis of Saint Francis, one of his numerous paintings with faun figures, tries to prove that the relationship between the titular character and the mythological figures is not a juxtaposition of similar attitudes towards the world of nature. The depicted situation is rather the case of the mythological creatures becoming subject to the 'intransgressible' which for every picture is its surface and its boundaries. This subjection is shown through the formal shaping of the figures. This relation, which can be understood only through direct contact with the work, is an expression through the means of painting of the artist's profound Christian faith, shared also by his other contemporaries who struggled with the modernist 'disenchantment' (in Max Weber's sense of the word) and proving through their work their trust in Christian transcendence (e.g. Jan Kasprowicz).

Keywords

EN

FAUN; JACEK MALCZEWSKI; ST FRANCIS

Discipline

• ARTS_&_ARCHITECTURE: ARTS & ARCHITECTURE

• Publisher: Centrum Dokumentacji Współczesnej Sztuki Sakralnej przy Wydziale Sztuki Uniwersytetu Rzeszowskiego
• Journal: Sacrum et Decorum. Materiały i studia z historii sztuki sakralnej
• Year: 2010
• Volume: 3
• Pages: 58-79
• Document type: ARTICLE

Contributors

author

Haake Michal

• Michal Haake, Uniwersytet im. Adama Mickiewicza, Instytut Historii Sztuki, Al. Niepodleglosci 4, 61-874 Poznan, Poland

Identifiers

CEJSH db identifier

11PLAAAA104721