EN
This article deals with models of making literature in the internet. The authoress argues that Web literature and, more generally, hypertextuality is an issue of extreme importance to our contemporary literary theory and literary-critical studies. Limiting it to the sphere of interest in the media impoverishes the afterthought of understanding and interpretation of a literary text. Definitions of hypertextuality are presented and hypertextual projects (prose, lyrical poetry) traced. A thesis is formulated on hypertextuality as yet another implementation of intertextuality, as a broad concept. The authoress believes that hypertextuality is part of transformations of literary forms - of a broadly understood deconstruction of forms, and a new experience of language.