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2010 | 69 | 214-219

Article title

KENTRIDGE'S NOSE (Nos Kentridge'a)

Authors

Title variants

Languages of publication

PL

Abstracts

EN
The author compares Gogol's 'Nose' with Dmitri Shostakovich's opera based on this play, performed in the Metropolitan Opera in New York. The fact that the composer's biographer Solom Volkov first recognized that the play was an autobiographical work, serves as a incentive for the analysis of the complexity of the composer's life. The author then deals with William Kentridge - the director and stage director of the New York production of the play. He analyses nine films Kentridge made in the years 1989-2003. The films form a cycle, whose main character is Soho Eckstein, a fictitious industry magnate. The author also describes how Kentridge uses his experience as an animator in his theatre and opera productions, which always feature film screenings (e.g. in Shostakovich's 'Nose')

Year

Issue

69

Pages

214-219

Physical description

Document type

ARTICLE

Contributors

  • Marcin Gizycki, Rhode Island School of Design, Two College Street, Providence, RI 02903, USA

References

Document Type

Publication order reference

Identifiers

CEJSH db identifier
10PLAAAA085423

YADDA identifier

bwmeta1.element.c3076d23-ec99-35cc-b5e5-3264ec94e77c
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