EN
This paper addresses the issue of Romanesque sculpture and presents it by means of describing the ensemble of masks preserved in the Romanesque, partially reconstructed, church dedicated to the Name of the Blessed Virgin Mary, a symbol of Inowrocław. This text addresses the well-known sculptures analysed from a contemporary research and methodological perspective in respect of the history of medieval art. Artistic analogies, aesthetic sources, and the practice of ornamenting the Houses of God with stone masks have been presented and new interpretations of iconography, form, and meaning have been discussed. Issues concerning artistic geography, style, significance, law of the frame and technique have been considered and compared.