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2011 | 65 | 2-3(293-294) | 184-194

Article title

Atlas Gerharda Richtera: archiwum anomiczne

Selected contents from this journal

Title variants

EN
GERHARD RICHTER’S ATLAS: THE ANOMIC ARCHIVE

Languages of publication

PL

Abstracts

EN
During the twentieth century, an age of fading belief in empiricism and aspirations towards a comprehensible completeness of positivistic systems of knowledge, the term “atlas” assumed a metaphorical significance. The most prominent example of this anti-positivistic tendency is the Mnemosyne Atlas – a monumental project whose purpose is gathering identifiable forms of collective memory. The several decades later Atlas by Gerhard Richter appears to treat photography and its assorted practices as one of the instruments with whose assistance collective anomy, amnesia and denial are socially encoded.

Keywords

Year

Volume

65

Issue

Pages

184-194

Physical description

Contributors

References

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.cejsh-5d04ac53-67dd-4d77-bafe-b1a86fce219c
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