EN
The paper explores Váross’s understanding of philosophy, his philosophical stand, undoubtedly influenced by Popper’s critical realism, as well as Váross’s critique of Marxist dialectic and the unity of psychology and philosophy which is inherent in all his works. Váross’s axiology as the main focus of the author is seen as relevant not only for theory, but also for applied disciplines, such as ethics, aesthetics, theory and critique of visual arts.