Slovenské divadlo (Slovak Theatre) - Volume 72, Issue 3 (2024) - CEJSH - Yadda

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Issue details

Publisher

Institute of Theatre and Arts, Slovak Academy of Sciences

Journal

Slovenské divadlo (Slovak Theatre)

Year

2024

Volume

72

Issue

3

Identifiers

Cover

Volume contents

3
- article: CONTEXT INTERRUPTED: SAMUEL BECKETT IN CZECH BETWEEN 1964–1996 AND JAN NEBESKÝ’S ENDGAME (1996) (Pšenička M.), p. 201 – 219
- article: DANCING INTO THE SUNSET: NICHT SCHLAFEN BY ALAIN PLATEL (Fergombé A.), p. 220 – 236
- article: PERSPECTIVE SUBVERSION: FEMALE CHARACTERS IN FRANTIŠEK DANIEL’S TWO CZECH FILMS (Černík J.), p. 237 – 254
- article: ELUSIVE PLAY IN THE ADAPTATION CLOUD ATLAS (2012) (Getlík P.), p. 255 – 265
- article: THE BIRTH OF THE MILE-LONG OPERA OUT OF THE EVENTS OF NEW YORK CITY PARK AT 7 O’CLOCK: PERFORMATIVITY OF PERFORMATIVITIES OR A MULTIPERFORMATIVITY? (Mitášová M.), p. 266 – 286
- article: PHILOSOPHERS, EPIGONES, AND AESTHETES. AT THE INTERFACE OF IDEOLOGICAL AND AESTHETIC STATEMENTS ON MUSIC PRODUCTION (Kopčáková S.), p. 287 – 303

open years

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