REKONŠTRUKCIA DIVADELNEJ INSCENÁCIE AKO VEDECKÁ I TVORIVÁ METÓDA Z POHĽADU PEDAGOGICKÉHO PROCESU V RÁMCI VÝUČBY DEJÍN SLOVENSKÉHO DIVADLA

• Authors: Pašuthová Zdenka

Title variants

EN

Reconstruction of a theatre production as an academic and creative method in teaching the history of Slovak theatre

• Languages of publication: SK

Abstracts

EN

This paper deals with the methodology and typology of the theatre production reconstructions as a prerequisite for research and theatre-making. Based on selected theories, it defines boundaries and stages of production process. The role of the reconstruction of individual phases of production is illustrated by a seminar assignment in teacher training (reconstruction of the production of Pavel Kyrmezer’s Komedie česká o bohatci a Lazarovi (The Czech Comedy about a Money-bag and Lazarus, VŠMU, 1964) and examples of the application of the reconstruction in Slovak theatre context: an archaeological reconstruction of production poetics (project Education Through Theatre – Antigona, Constantine the Philosopher University in Nitra, 2011 – 2012) and an update on the basis of an archeologically reconstructed text Hra o svätej Dorote (Play about St. Dorothy, Slovak National Theatre, 2004). Based on examples from the history of Slovak theatre and work with classic texts (Ján Chalupka, Ján Palárik), a typology of approaches to drama texts is created, from the reconstruction to the meta-reconstruction and auto-reconstruction of a drama text.

Keywords

EN

SLOVAK THEATRE; METHODOLOGY; RECONSTRUCTION OF A PRODUCTION; HISTORY; SLOVAKIA

• Publisher: Institute of Theatre and Arts, Slovak Academy of Sciences
• Journal: Slovenské divadlo (Slovak Theatre)
• Year: 2016
• Volume: 64
• Issue: 1
• Pages: 4 – 18

Contributors

author

Pašuthová Zdenka

• Ústav divadelnej a filmovej vedy SAV, Dúbravská cesta 9, 841 04 Bratislava, Slovak Republic