ALFRED ROLLER – NOVÁTOR A TRADICIONALISTA

• Authors: Zavarský Ján

Title variants

EN

Alfred Roller – an innovator and a traditionalist

• Languages of publication: SK

Abstracts

EN

This study focuses on the scenographer Alfred Roller (1864–1935) and his productions of Wagner’s musical dramas, with emphasis on Tristan and Isolde and Parsifal. It places Roller’s aesthetics in a historical, aesthetic, and artistic context, points to his inspiration by the Swiss scenography reformer Adolphe Appia, and cooperation with the music composer and conductor Gustav Mahler in the Vienna Court Opera. The text analyses the specifics of Roller’s scenography, which diverged from illusive stage and used light work as an important production principle. It concludes with a summary of the effect of Roller’s aesthetics on Ľudovít Hradský, the first leader of the production team at the Slovak National Theatre (1923–1928). The visual aspects of the Slovak National Theatre’s productions in that period were strongly inspired by expressionism and Art Nouveau, which were typical of German theatre at that time.

Keywords

EN

ROLLER ALFRED; APPIA ADOLPHE; WAGNER RICHARD; MAHLER GUSTAV; VIENNA COURT OPERA; SLOVAK NATIONAL THEATRE

• Publisher: Institute of Theatre and Arts, Slovak Academy of Sciences
• Journal: Slovenské divadlo (Slovak Theatre)
• Year: 2017
• Volume: 65
• Issue: 4
• Pages: 383 – 401

Contributors

author

Zavarský Ján

• Ústav divadelnej a filmovej vedy SAV, Dúbravská cesta 9, 841 04 Bratislava, Slovak Republic

Identifiers

DOI

10.1515/sd-2017-0023