EINE ANDERE MODERNE IM PARIS DER DRITTEN REPUBLIK. DIE „FONTAINES WALLACE“ UND JULES COUTANS „PORTEUSE DE PAIN“ ALS AVANTGARDE-KUNST

• Authors: Körner Hans

Title variants

EN

Another modernity in the Paris of the Third Republic. The “Fontaines Wallace” and Jules Coutan’s “Porteuse de pain” as Avant-Garde Art

• Languages of publication: DE

Abstracts

EN

The first study, which deal with works of the ‘other modernity’ of the French 19th century, deals with objects that, as multiply producible and stylistically eclectic objects, fell through the Modernist grid, although they correspond exactly to a definition of the avant-garde as formulated in the succession of Saint-Simon. The second study asks whether the iconography of “modern life”, in the sense of Charles Baudelaire’s “Le peintre de la vie moderne”, should not be added to the definition of modernity - against a limited formalist definition of modernity.

Keywords

EN

WALLACE; COUTAN JULES; AVANT-GARDE; MODERNITY; FRENCH; SCULPTURE; MONUMENT

• Publisher: Institute of History of Art, Slovak Academy of Sciences
• Journal: ARS
• Year: 2021
• Volume: 54
• Issue: 1
• Pages: 3 – 32

Contributors

author

Körner Hans

• Institut für Kunstgeschichte, Heinrich-Heine-Universität, Universitätsstr. 1, D-40225 Düsseldorf, Germany