EXPRESSIONAL BIPOLARITY OF THE THEATRE (SELECTED CASE STUDIES IN CONTEMPORARY THEATRE)

• Authors: Ballay Miroslav
• Languages of publication: SK

Abstracts

EN

The author contemplates expressional bipolarity of contemporary art of the theatre. He is interested personally in whether theatre has yet a chance to purify spectators. He explores theatre in terms of reception, and also focuses on methods of addressing the themes of the day. Using case studies of selected productions in contemporary theatre, he reflects on the intentions of a number of theatre directors whose particular intention is for the theatre to provoke or manipulate spectators.

Keywords

EN

THEATRE; DRAMATURGY; RECEPTION; POLARITY; EXPRESSIVENESS

• Publisher: Institute of Theatre and Arts, Slovak Academy of Sciences
• Journal: Slovenské divadlo (Slovak Theatre)
• Year: 2018
• Volume: 66
• Issue: 3
• Pages: 231 – 241

Contributors

author

Ballay Miroslav

• Ústav divadelnej a filmovej vedy SAV, Dúbravská cesta 9, 841 04 Bratislava, Slovak Republic

Identifiers

DOI

10.2478/sd-2018-0014