Fotodinamismo 100! Bragaglia, Boccioni, Bergson i problemy futurystycznej fotografii

• Authors: Przemysław Strożek

Title variants

EN

FOTODINAMISMO 100! BRAGAGLIA, BOCCIONI, BERGSON AND PROBLEMS OF FUTURISTIC PHOTOGRAPHY

• Languages of publication: PL

Abstracts

EN

The article was intended for the hundredth anniversary of the experiment of photo-dynamism, recognised as the first symptom of avant-garde photography. The Bragaglia brothers, residents of Rome, fascinated with the quests conducted by Italian Futurism, wanted to apply Futuristic ideas in the domain of photography – to bring forth in the photograph absolute motion expressing the truth about the dynamically changing world. Despite such a bold and revolutionary experiment their search was never accepted by Umberto Boccioni – the ideologue of Futuristic visual arts. Not until the 1930s, when photography (alongside the cinema) became the most important medium of avant-garde artistic works, photo-dynamism was fully rehabilitated by the Futurists as the first symptom of modern solutions in art.

Keywords

EN

Avant-garde photography; The Bragaglia brothers; Umberto Boccioni

• Publisher: Polska Akademia Nauk. Instytut Sztuki PAN
• Journal: Konteksty - Polska Sztuka Ludowa
• Year: 2011
• Volume: 65
• Issue: 2-3(293-294)
• Pages: 299-304

Contributors

author

Przemysław Strożek