MIGRÁCIA HUDOBNÝCH PRAMEŇOV AKO ZDROJ POZNANIA HUDOBNEJ MINULOSTI SPIŠA

• Authors: Petőczová Janka

Title variants

EN

Migration of musical manuscripts and prints as a source of knowledge of the musical past of Spiš

• Languages of publication: SK

Abstracts

EN

The sociological term migration is used in historical musicology to express the notion of transfer of music, in connection with its social origins and functions, accompanying people through their lives and migrating with them. Music migration stems from the voluntary or forced relocation of musicians (exile) or the search for new job opportunities. Musicological research addresses the most common related issues linked to the dissemination of manuscripts and early prints from musical hubs to the periphery, including via a comparison of the respective musical repertoires. The aim of the study is to characterize those music sources preserved in the Spiš region which document music migration in the Central European context in the 16th and 17th centuries. The study also focuses on the migration of musicians to neighbouring regions (Šariš, Gemer, Malohont) and cross-border migration (Central Germany, Silesia, Transylvania) as well as the possibility of transmitting musical sources in the multi-ethnic environment of the Lutheran cantorates.

Keywords

EN

MUSICOLOGY; HISTORY OF MUSIC; MUSICAL SOURCES; MIGRATION; SPIŠ

• Publisher: Institute of Musicology, Slovak Academy of Sciences; VEDA, Publishing House of the Slovak Academy of Sciences
• Journal: Musicologica Slovaca
• Year: 2022
• Volume: 13 (39)
• Issue: 1
• Pages: 36 - 57

Contributors

author

Petőczová Janka

• Ústav hudobnej vedy SAV, v. v. i., Dúbravská cesta 9, 841 04 Bratislava 4, Slovak Republic

• https://orcid.org/0000-0002-4564-1552

Identifiers

DOI

https://doi.org/10.31577/musicoslov.2022.1.2