Theodor W. Adorno: pojęcie krajobrazu kulturowego

• Authors: Frydryczak Beata

Title variants

Theodor W. Adorno: the Concept of Cultural Landscape

• Languages of publication: PL

Abstracts

EN

In the article I take into consideration the concept of cultural landscape in the reflection of Theodor W. Adorno. I assume that in the notion of landscape there is possible to distinguish two meanings: the aesthetic one, which follows the history of aesthetics and artistic representation of the world. Georg Simmel in the article “The philosophy of Landscape” put its formula perfectly. The second meaning of landscape: a cultural one, is subordinated to the reread aesthetics of the sublime. It rejects the aesthetic distance for the benefit of engagement and process. In it there is expressed spatially conceived environment, historically and socially shaped by both the man and the forces of nature. Adorno combine landscape with history and its the products, and social processes. In this sense, the landscape bears the traces of human activity. As such it undergoes to the processes of industrialization, which create its postindustrial or tourist variations.

Keywords

EN

Theodor W. Adorno; cultural landscape; aesthetics

• Publisher: Instytut Filozofii - Uniwersytet Jagielloński
• Journal: Estetyka i Krytyka
• Year: 2013
• Issue: 3(30)
• Pages: 43-54

Dates

published

2013

Contributors

author

Frydryczak Beata

• Uniwersytet Adama Mickiewicza

Identifiers

ISSN

1643-1243