Autobiografia jako źródło kreacji, czyli konfesyjna sztuka Tracey Emin.

• Authors: Micuła Małgorzata

Title variants

EN

Autobiography as a source of creation or confessional art of Tracey Emin.

• Languages of publication: PL

Abstracts

EN

Introspective art of Tracey Emin is a journey through her peculiar, intimate world where childhood memories intermingle with the experiences of a grown-up woman who is one of the most popular contemporary British artists. Her work, placed between two poles: publicity and high culture, constantly evokes contradictory opinions on making privacy public, exhibitionism in art and female confession going far beyond the frames of social norms establishing female sexuality, carnality and sensuality. Balancing between subtleness and vulgarity, beauty and ugliness, scream and silence, Emin preserves all her personalities in her works that lead a dialogue with traditional media and search new paths amidst conventions and stylistics of art and crafts history.

Keywords

PL

Tracey Emin; konfesyjna sztuka kobieca

• Publisher: Instytut Historii Sztuki, Uniwersytet Wrocławski
• Journal: Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego
• Year: 2009
• Issue: 4(14)
• Pages: 72-90
• Physical description: artykuł

Dates

published

2009

Contributors

author

Micuła Małgorzata

References

• R. Betterton, Why is my art not as good as me? Femininity, Feminism and ‘Life–Drawing’ in Tracey Emin’s Art, [w:] The Art of Tracey Emin, red. M. Merck, Ch. Townsend, London, 2002
• G. Muir, Lucas and Emin, ‘Frieze’, May 1993
• P. Leszkowicz, [w:] Helen Chadwick: ikonografia podmiotowości, Kraków 2001
• D. Littleton, Private View, ‘Time Out’, 1-8 December, 1993
• H.Jaxa-Rożen,Opowiadanie ciałem. Kilka uwag o współczesnej poezji kobiecej, [w:] Narracje – (Auto)biografia – Etyka, red. L. Kochanowicz, R. Nahirny, R. Włodar- czyk, Wrocław 2005
• E. Gieysztor-Miłobędzka, Życie artysty – Tło kulturowe, [w:] Życie artysty. Problemy biografiki artystycznej. Materiały Seminarium Metodolo- gicznego Stowarzyszenia Historyków Sztuki, red. M. Poprzęcka. Nieborów, 1994

Notes

PL