EN
This article focuses on the special status of women’s autobiographical reportages in whichthe creator-participant creates her own autobiographical space in relation to the already establishedplaces of memory, which are internalized and presented as her own. On the example of wartimereportages Kruchy lód. Dziennikarze na wojnie [Thin Ice. Journalists in Wartime] by Anna Wojtachaand Inny front [Different Front] by Miłada Jędrysik, I would like to present what the choiceof autobiographical places can tell us about the subject, what is exposed by the structure of the storyand how the category of corporeality influences the understanding of this genre.